Charlie's got a 'Job' to do. Having just left prison, he finds one of his friends has attempted a high risk job in Italy right under the nose of the Mafia. Charlie's friend doesn't get very far so Charlie takes over the 'Job'. Using three Mini Coopers, a couple of Jaguars and a bus, he hopes to bring Torino to a standstill, steal the Gold and escape. Written by
Andy Topham <email@example.com>
This is a movie primarily about cars and driving. Michael Caine could not drive at the time the movie was made, and in fact, he is never seen driving a car. The only time in the movie that Charlie Croker is assumed to be driving, is the cut between when he picks up his Aston Martin at the garage, and in the next shot, when we see it arrive outside the hotel. But Michael Caine gets out of a stationary Aston Martin after a further cut. Throughout the drive to Turin, and the entire heist, Croker is always a passenger. See more »
Obvious dummies when the police car crashes through the gate at the end of the sewer. See more »
What's the matter.
He says he wants to sit up in front with the driver!
I always get sick in the back.
Listen, if I go in the back, I'll get me migraine, I'll be out like a light.
You are not going to be sick. You are not going to have your migraine. And everybody is gonna sit in the back of the motor!
Charlie, me in the back of the motor with my asthma?
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Absolutely perfect, flawed, stupid, evening's entertainment
So who can NOT like The Italian Job? Well, I can't speak for those who are not Anglophiles, but I suspect everybody who has ever called themselves British will love it. Sure, it has holes the size of Matron's stockings in it's plot and there are any number of errors apparant in the script and screenplay (Well, we all know that Mini's don't have a rear differential) and the true fanatics (such as myself) are all too aware of the continuity on-screen (that was a heavily disguised Lancia Flaminia that went off the cliff- Well, did you really think it was a REAL Aston DB4? See "Hammer House" for where that turned up). I could go on, as I usually do, about inconsitencies and so forth, but, by God, I have seen the Italian Job in just about every format it was ever shown and I love it all the same. There are no slow parts, every bit is important to the plot, the soundtrack is legendary (only available now after many, many years on CD. Got it before it was on CD and cost a lot; typical!) and is so quotable ("You're only supposed to blow the bloody doors off!") as to haunt Michael Caine forever more. You'll love it, wherever you come from!
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