The Italian Job (1969)

Director:

Peter Collinson

Writer:

Troy Kennedy-Martin (written by)

Release Date:

3 September 1969 (USA)

Genre:

Action | Comedy | Crime

Tagline:

Introducing the plans for a new business venture: "The Italian Job."

Plot:

Comic caper movie about a plan to steal a gold shipment from the streets of Turin by creating a traffic jam.

Plot Keywords:

Prison | Gold | Mini Cooper | Car Chase | Sewer

Awards:

Nominated for Golden Globe.

Cast

  (Cast overview, first billed only)

Michael Caine	...	Charlie Croker
Noel Coward	...	Mr. Bridger (as Noël Coward)
Benny Hill	...	Professor Simon Peach
Raf Vallone	...	Altabani
Tony Beckley	...	Freddie
Rossano Brazzi	...	Beckerman
Margaret Blye	...	Lorna (as Maggie Blye)
Irene Handl	...	Miss Peach
John Le Mesurier	...	Governor (as John le Mesurier)
Fred Emney	...	Birkinshaw
John Clive	...	Garage Manager
Graham Payn	...	Keats
Michael Standing	...	Arthur
Stanley Caine	...	Coco
Barry Cox	...	Chris

Also Known As:

Runtime:

99 min

Country:

UK

Language:

English | Italian

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

South Korea:15 | UK:PG (video rating) (1988) | Australia:PG | Canada:PG | Finland:K-11 (DVD rating) | Finland:K-12 (original rating) | Ireland:PG | Netherlands:12 | Norway:15 | Norway:16 (cinema version) | Singapore:PG | Sweden:11 | UK:U (original rating) | USA:G | West Germany:12

Filming Locations:

Alembic House - 93 Albert Embankment, Vauxhall, London, England, UK

Company:

Oakhurst Productions

Trivia:

At the time of making of the film, there was no ending, and it was left to the US studio to create one. The main crew and writer hated what they came up with so the 2nd unit was given the job of filming it.

Goofs:

Continuity: When the plow comes out of the tunnel with the Muira on its fork, you can see the arm of the driver leaning on the door. Later, when the plow starts pushing the car off the rocks, it's empty. Yet we see something which looks like a body fall down the cliff when the car is pushed over the edge.

Quotes:

Charlie Croker:You'll be making a grave error if you kill us.
Charlie Croker:There are a quarter of a million Italians in Britain and they'll be made to suffer. Every restaurant, cafe, ice-cream parlor, gambling den and nightclub in London, Liverpool and Glasgow will be smashed.

Movie Connections:

Referenced in "Have I Got News for You: Episode #39.3" (2010)

Soundtrack:

On Days Like These

"It is a work of genius."

In a sense I was disappointed to find that I actually liked The Italian Job. For after decades of imitations and student new-lad pub bores crowbarring "You're only supposed to blow the bloody doors off!" into conversation, I was all prepared to hate it.

Yet The Italian Job is a good film. A very good film in fact. First-class direction, all pans and upshot angles, and slyly political, though its "Cool Britannia" ethos almost seems to parody devotees of the Union Jack. Anyone watching this film for reconfirmation of the Empire is mistaken, though the team's final downfall notably comes from the only non-Caucasian member.

The humour is self-conscious, but never so that it goes too far; it's always witty. Michael Caine is the archetype Michael Caine, all pointing finger and raised-voice declarations, the version mimics love to portray. Noël Coward is able support in a straightish role, though the wonderful Benny Hill parodies his own image, thus diluting his already fine (And misunderstood) ironic take on the sexual pervert.

Screen realism is not an issue here, with a Mafia cameo who are hardly Don Corleone. Women are also marginalised, with only Maggie Blye getting a largish role as Caine's girlfriend, Lorna. This is the same girlfriend who hires six women to help celebrate his release from prison, and refers to fellow womankind as "birds". Yet while the film is a "boys only" club, it's far from a testosterone-led car chase, as Coward's appearance should attest. And what makes the final climatic chase so rewarding is that it's carefully, and intelligently, set up. The film is metaphorical where you wouldn't expect it to be, and well-acted all round.

All of which leaves me struggling for a way to end this review. Hang on a minute, lads, I've got an idea -