IMDb > A Touch of Zen (1971)
Xia nü
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A Touch of Zen (1971) More at IMDbPro »Xia nü (original title)

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7.6/10   3,864 votes »
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Release Date:
18 November 1971 (Hong Kong) See more »
A lady fugitive on the run from corrupt government officials is joined in her endeavors by an unambitious painter and skilled Buddhist monks. Full summary » | Add synopsis »
Plot Keywords:
2 wins & 1 nomination See more »
User Reviews:
Mood-driven journey to spiritual enlightenment See more (29 total) »


  (in credits order)

Directed by
King Hu 
Writing credits
(in alphabetical order)
King Hu 
Songling Pu  story (as Sung-ling Pu)

Produced by
Liang Fang Hsia-Wu .... producer
Jung-Feng Sha .... executive producer
Original Music by
Ta Chiang Wu 
Cinematography by
Yeh-Hsing Chou 
Hui-Ying Hua 
Film Editing by
King Hu  (as Jinquan Hu)
Chin-Chen Wang 
Art Direction by
Shang-Lin Chen 
Makeup Department
Hsu-Ching Wu .... makeup artist
Production Management
Shih-Ching Yang .... production manager (as Shi Ching Yang)
Ying-Chieh Han .... martial arts instructor
Yao-Kun Pan .... martial arts instructor
Costume and Wardrobe Department
Chia-Chih Li .... costumer
Other crew
Jou-Yin Chang .... planner
Chang-Lin Hua .... continuity
Jung-Feng Sha .... presenter
Shi-Che Wang .... script supervisor

Production CompaniesDistributors

Additional Details

Also Known As:
"Xia nü" - Hong Kong (original title)
See more »
200 min | Hong Kong:187 min | 179 min | 180 min (Blu-ray)
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.See more »
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16 out of 21 people found the following review useful.
Mood-driven journey to spiritual enlightenment, 17 July 2005
Author: PiranianRose from USA

To think that I used to accuse King Hu of doing injustice to the wuxia genre with boring storytelling and slow action, I must have been on crack at the time--as his best works completely transcend elements of conventional film-making. In A TOUCH OF ZEN, It's not the story or the action that stands out; although they are part of the system, they are secondary to the theme of spiritual enlightenment, which is what counts in Buddhist philosophy. When the abbot confronts the East Chamber agent, the art of combat is strictly utilized by the abbot to guide the agent to "put down his sword, and attain peace with Buddha." There is a haunting sight when the bookworm scholar is amused by his tactic which fooled the agents. He thinks he has reached the peak of perfection, but then he sees dead bodies lying around who have suffered from his tactic, and the only thing on his mind is a woman whom he lusts. As book-smart as he is, he still suffers from worldly affair like everyone else. Only at the end when he accepts Buddha is he able to live in peace.

Aside from the philosophical points, ZEN also scores strongly in establishing mood, suspense, and fascinating visuals. The Jiang Hu in this film feels incredibly authentic, and the rich mise-en-scene is refreshing compared to the limited Shaw Bros studio offerings. I loved the photography throughout; it beautifully captures the spiritual wonder of ancient Orient. In framing still shots, King Hu chiefly employs medium and medium close-ups, mounting his camera at an upward angle so we can always see beyond the characters, perhaps to suggest existence of higher wisdom.

One observation I would like to propose is that although ZEN is probably a milestone in Chinese cinema, it would be a minor masterpiece compared to the best works from 60s Japan. The lush photography and haunting images from KWAIDAN come to mind as a comparison. No doubt, King Hu also learned a few tricks from the likes of Kurosawa, such as pointing his camera at the sun which occurs frequently in ZEN.


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