Leschenhaut and Morillon are trying to organize a plot to overthrow the French government and set up a new fascist organization. Their plans are interrupted by Davis, an American boxer, ...
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An elite firm of assassins must face their own mortality as they are hunted down one by one by a mysterious assailant. Caught up in the drama is a disgraced journalist who is more connected to the assassins' world than he could ever know.
When Ruth Matthews's husband is killed in a fall at an archaeological dig, her daughter Sally handles her father's death in a very odd manner. As Sally's condition worsens, Ruth takes her ... See full summary »
Tommy Lee Jones,
Private eye P.J. is reluctant when he gets a new job: he shall protect Maureen Preble, mistress of millionaire Orbeson, mainly from attacks by his wife and her greedy family. In truth ... See full summary »
Leschenhaut and Morillon are trying to organize a plot to overthrow the French government and set up a new fascist organization. Their plans are interrupted by Davis, an American boxer, tutor of young Paul de Villemont; in Villemont Manor he discovers the plot and, after the kidnapping of the boy, he travels to Rome, where the organization would exchange Paul with a list of members stolen by Davis to give to the press. Written by
The "Tixier" graffiti that Reno Davis (George Peppard passes twice on the riverbank refers to the real-life 'Jean-Louis Tixier-Vignancour', who contested the 1965 French presidential election for the far-right--which would have made him a popular choice for some of the movie's protagonists. See more »
While living in South Africa my dad and I watched many classic films together, and those are special memories. We managed to record "House of Cards" using our very first VCR (in 1983) and I spent many evenings re-watching it until my brother recorded something over it... I was devastated and have been hoping to find it ever since.
Twenty years later I am still a fan and I give it 10/10 because that's my childhood-based feeling for it. No other film I've seen has stayed with me as intensely.
It's difficult to say exactly why I love this film because the memories are so old. My feelings include: excitement, curiosity, urgency, pleasure, amusement, fun, the motivation to see it may times and the crush I have had since on George Peppard! The images are a little mixed: I remember a boat on a lake, a car racing along a winding road and many desperate escapes. Also images of Paris and the Seine. Orson Welles is totally creepy. My visits to Italy have been influenced by scenes from the film - even visiting the Colosseum in Rome.
Hopefully my memories aren't too tainted by all the films I've seen since, if I come across this one again I'm keeping it far away from my brother.
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