IMDb > The Honeymoon Killers (1969)
The Honeymoon Killers
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The Honeymoon Killers (1969) More at IMDbPro »

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The Honeymoon Killers -- Based on a true story, The Honeymoon Killers is a stark portrayal of the desperate lengths to which a lonely heart will go to find true love, from brutally immoral killings to a passion that transcends all bounds.

Overview

User Rating:
7.1/10   2,502 votes »
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Down 8% in popularity this week. See why on IMDbPro.
Writer:
Leonard Kastle (written by)
Contact:
View company contact information for The Honeymoon Killers on IMDbPro.
Release Date:
4 February 1970 (USA) See more »
Genre:
Tagline:
One of the most bizarre episodes in the annals of American Crime. See more »
Plot:
An obese, embittered nurse doesn't mind if her toupee-wearing boyfriend romances and fleeces other women, as long as he takes her along on his con jobs. Full summary » | Full synopsis »
Plot Keywords:
User Reviews:
Cheap, Stark Exercise in Ugliness See more (49 total) »

Cast

  (in credits order) (verified as complete)
Shirley Stoler ... Martha Beck

Tony Lo Bianco ... Ray Fernandez
Mary Jane Higby ... Janet Fay

Doris Roberts ... Bunny
Kip McArdle ... Delphine Downing

Marilyn Chris ... Myrtle Young
Dortha Duckworth ... Mrs. Beck - Martha's Mother
Barbara Cason ... Evelyn Long
Ann Harris ... Doris
Mary Breen ... Rainelle Downing
Elsa Raven ... Matron
Mary Engel ... Lucy
Guy Sorel ... Mr. Dranoff
Michael Haley ... Jackson (as Mike Haley)
Diane Asselin ... Severns
William Adams ... Justice of the Peace (as Col. William Adams)
Eleanor Adams ... Mrs. Hand
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Directed by
Leonard Kastle 
Donald Volkman (uncredited)
 
Writing credits
Leonard Kastle (written by)

Produced by
Paul Asselin .... associate producer
Warren Steibel .... producer
 
Cinematography by
Oliver Wood (director of photography)
 
Film Editing by
Richard Brophy 
Stanley Warnow  (as Stan Warnow)
 
Production Management
Michael Haley .... production manager (as Mike Haley)
 
Sound Department
Tom Dillinger .... sound mixer
Fred Kamiel .... sound
 
Camera and Electrical Department
Richard Berger .... assistant camera
Mike Grover .... lighting assistant
Richard Tenneson .... lighting assistant
Spencer Trova .... camera assistant
Bobby Vercruse .... head gaffer (as Robert Veracruse)
 
Costume and Wardrobe Department
Martha Fogg .... wardrobe
 
Editorial Department
Tikki Goldberg .... assistant editor
Janet Lauretano .... assistant editor
 
Other crew
Diane Asselin .... script girl
John Haley .... production assistant
Warren Steibel .... presenter
Paul Sweeney .... assistant to producer
 
Crew believed to be complete


Production CompaniesDistributors
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Additional Details

Also Known As:
Runtime:
108 min | USA:115 min (original version)
Country:
Language:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Australia:M (re-rating) (2004) | Finland:K-18 (cut) (1971) | Finland:(Banned) (uncut) (1971) | France:-16 | Germany:16 (re-rating) (2005) | Norway:16 (1971) | Singapore:PG | UK:18 | USA:R | West Germany:18 (original rating)
Company:

Did You Know?

Trivia:
Director François Truffaut called this his favorite American film.See more »
Goofs:
Crew or equipment visible: When Martha and Myrtle have an argument and Myrtle tells Martha she intends to take "Charles" with her to Little Rock, a microphone is visible right next to Myrtle. It doesn't look like a boom mic, but rather a handheld one because you can definitely see someone moves it a little to catch Shirley Stoler's line.See more »
Quotes:
Martha Beck:What's the matter, can't you sleep? You woke me up.
Myrtle Young:Oh I'm sorry, I guess I'm just restless.
Martha Beck:You want a sleeping pill? I've got some.
Myrtle Young:You have any other kind?
Martha Beck:What do you mean?
Myrtle Young:Never mind. You wouldn't, you're too square!
[sighs]
Martha Beck:You sigh a lot, don't you? In nursing school they taught us that people who sigh a lot are unstable. Is that your problem?
Myrtle Young:No! I was just thinkin' about your brother; and how handsome he looked in that toupee I gave him. He lied to you.
Martha Beck:I don't believe it, he never lies to me!
[...]
See more »
Movie Connections:
Referenced in Meet Monica Velour (2010)See more »

FAQ

How much of the film is true?
See more »
7 out of 10 people found the following review useful.
Cheap, Stark Exercise in Ugliness, 23 June 2007
Author: worldsofdarkblue from Toronto

A two-bit Latin lothario who bilks spinsters and single moms of their (generally modest) savings meets a fat, frumpy sociopath of a nurse and inexplicably becomes a 'couple' with her. This 'little' lovely never seems to speak a word to anyone that isn't either an undisguised groan of contempt and boredom or a knife-edged utterance of argumentative ball-breaking. As portrayed by Shirley Stoler, Martha Beck is the embodiment of the narcissistic, self-pitying, rage-aholic 'lover' from hell. There is never a soft word or a soft moment from her. As this is based on a true-life couple it feels like there is something large missing from the telling of the story. Why Fernandez wants to be with Beck never feels satisfactorily explored. It's a complete mystery, yet it happened. Others have posted here that the story is ultimately a 'love story', but I couldn't feel it in the performances. With Bonnie and Clyde it was very well presented as such, even in the midst of rampant violence. Not so here. Beck and Fernandez just seem flat and emotionless (other than Beck's petulance)

Raymond Fernandez is just a con-man, moving from victim to victim and is relatively gentle in his crimes until Martha Beck comes into his life. Then it almost seems like the evil within her sucks from him any vestige of inner decency and he is soon a full partner in her cold, murderous inclinations. Comparisons to 'Psycho' and 'In Cold Blood' have been alluded to by reviewers here, but this has none of the artfulness of those superb canvases, nor are there any directorial postulations as to the personalities of these killers - no attempt at understanding what 'makes them tick' as in those other films

That the violence is presented in chillingly matter-of-fact fashion and the narrative style is so plain, plain, stark and plain seems to have led many to regard this film highly. I wonder if that would be the case if it had been filmed in exactly the same way but in colour? Sometimes black and white can be the 'making point' as to whether a film is regarded as cult-worthy. As to Truffault's appraisal of it, let's not forget he's French - saying it's his favorite American film could just as easily have been a snide comment about American cinema as a genuine compliment of the film. Doesn't matter anyway; as a Frenchman he probably thinks Jerry Lewis movies are high art

Anyway, it sure is an ugly little film. Perhaps the time is ripe, though, for a re-make - a more incisive exploration of the story. Not that I'd want to see it, mind you. I still feel plenty scuzzy from having watched this version

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Message Boards

Discuss this movie with other users on IMDb message board for The Honeymoon Killers (1969)
Recent Posts (updated daily)User
John Waters must love this movie spt-2
'Get the hell outa here!' bsfraser2003
Spoiler needed - how did it end? jit123
Surprise Letters bsfraser2003
Long Play album(s) In The Film. bsfraser2003
Leonard Kastle Call1800PLUMBING
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