When Lucy Honeychurch and chaperone Charlotte Bartlett find themselves in Florence with rooms without views, fellow guests Mr Emerson and son George step in to remedy the situation. Meeting... See full summary »
Helena Bonham Carter,
Based on a semi-autobiographical novel by Nobel Prize-winning novelist Eyvind Johnson, Here's Your Life tells the story of a working-class boy coming of age in rural Sweden during the first... See full summary »
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
Kelly, a prostitute, finds redemption in the town of Grantville, where she arrives working as a medium-time seller. There, she meets Griff, the police captain of the town, with whom she ... See full summary »
In a snowball fight between schoolboys the handsome Dargelos hits the chest of Paul, who drops unconscious to the ground. Paul has a deep affection for Dargelos, and later denies that there... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
Kopfrkingl enjoys his job at a crematorium in Czechoslovakia in the late 1930s. He likes reading the Tibetan book of the dead, and espouses the view that cremation relieves earthly ... See full summary »
1941 in a small town in Nazi occupied France. Against the will of its elderly male and his adult niece residents, the Nazis commandeer a house for one of their officers, Lt. Werner von ... See full summary »
In the early 1950s, Martha Beck, who lives with her slightly senile mother, is the head nurse in a Mobile, Alabama hospital. She is bitter about her life, she not having male companionship in large part because she is overweight, while her bitterness in turn does not endear her to people. She is initially angry with her best friend, Bunny, for signing her up to a lonely hearts club, but eventually decides to give it a try. Through it, she meets Ray Fernandez, a suave Spanish immigrant living in New York, he who contacted Martha as the first through the club. After Ray's trip to Mobile to meet Martha, they fall in love. Upon a subsequent visit Martha makes to Ray in New York - which leads to her being fired in part for her time off work - he decides to be up front with her: that she is not only not his "first" but that he is really a con man who, primarily through the club, seduces then bilks lonely women of their money. Pretending to be his sister to prospective targets, Martha ... Written by
Director François Truffaut called this his favorite American film. See more »
When Martha and Myrtle have an argument and Myrtle tells Martha she intends to take "Charles" with her to Little Rock, a microphone is visible right next to Myrtle. It doesn't look like a boom mic, but rather a handheld one because you can definitely see someone moves it a little to catch Shirley Stoler's line. See more »
I had to add a comment after reading so many on here comparing The Honeymoon Killers to John Waters. If Waters had made a serious attempt at true crime, this would be it. Based on a true story, two sociopaths come together through a "lonely hearts" dating service and discover they are mutually compatible serial killers. Tony Lo Bianco plays Raymond Fernandez, a greasy con-man and loser preying on naive women looking for love. Lo Bianco manages to be sexy even as such a pathetic jerk. Shirley Stoler is Martha Beck, his accomplice and apparent true love. Probably best known as the evil Nazi commandant in Seven Beauties, Stoler steals the film and in my humble opinion is really the only reason to check the movie out. Stoler and Water's star Divine are so similar, they could be "sisters". Stoler eats the scenery with gusto in an angry, bitchy way and it's fascinating just to watch her mouth move. The film is surprisingly watchable with some shockers and a parade of character actresses as victims. To contrast this grim black and white film against the Oscar winner for best picture that year (Patton) only adds to it's bizarreness. The director, Leonard Kastle presents the story bleakly with no bells and whistles. Sadly this is the only film he directed, it would have been great to see how his career would have progressed.
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