Alma, a lonely woman, falls for the conman who steals her money after seducing her. Frank doesn't want Alma around him, but he cannot do anything about the situation in case she goes to the... See full summary »
Manipulated by a loving and jealous husband, Gloria has run away with her two children and started a new life far away from men and from the rest of the world. Impelled by her friend, ... See full summary »
Fabrice Du Welz
Édith Le Merdy
Denny drops fiancée Jean and marries Flora who is worth ten million dollars. When Jean is fired from her job she decides to market the face cream she invented. She goes to Jeffrey and he ... See full summary »
Gillespie has to finally choose his official assistant, or Red and Lee are going to kill themselves in competition. So, it's another diagnosis competition. Lee's assignment is a small girl ... See full summary »
In the early 1950s, Martha Beck, who lives with her slightly senile mother, is the head nurse in a Mobile, Alabama hospital. She is bitter about her life, she not having male companionship in large part because she is overweight, while her bitterness in turn does not endear her to people. She is initially angry with her best friend, Bunny, for signing her up to a lonely hearts club, but eventually decides to give it a try. Through it, she meets Ray Fernandez, a suave Spanish immigrant living in New York, he who contacted Martha as the first through the club. After Ray's trip to Mobile to meet Martha, they fall in love. Upon a subsequent visit Martha makes to Ray in New York - which leads to her being fired in part for her time off work - he decides to be up front with her: that she is not only not his "first" but that he is really a con man who, primarily through the club, seduces then bilks lonely women of their money. Pretending to be his sister to prospective targets, Martha ... Written by
New York City based art-noise-rock band The Honeymoon Killers took their name from this film. See more »
In the scene on the bus with the dead victim of Martha and Ray, there is a long shot of the woman's face with her eyes somewhat googly and her tongue sticking out, as you hear the bus driver exclaiming her death, etc. Towards the end of the shot, if you watch the woman's face, you can see her tongue move. See more »
[shouting at Martha from the window of the rest home she's been dumped at]
Goddamn you, goddamn you! I hope you end up like this! I hope someone does this to YOU!
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Why did Leonard Kastle make only one movie?When so many "directors" are allowed to release mediocrities by the dozen,when almost every thriller looks like the one before?
I saw "the honeymoon killers" at the beginning of the seventies in a "art et essai" movie theater (in France,"art et essai" means non -commercial and artistical works).The movie had little impact on the "mainstream" audience ,and the TV was afraid to broadcast it.
Thirty years later,it still packs a real wallop:it has worn extremely well,even better than praised classics such as "gun crazy" and "Bonnie and Clyde".I'm sure it had a strong influence on Francis Girod's "le trio infernal"(1974)."The honeymoon killers" is unique,a work of the first order.Hats off to the two leads ,Shirley Stoler and Tony LoBianco ;their casting was ideal.Had the producers hired two stars,the movie would have lost in credibility.Because,credible,this movie is,and not because it is a true story:for instance "Bonnie and Clyde" is also a true story,but the characters are icons,some kind of Robin Hoods,far from their models.Don't get me wrong,I love Penn's movie,but Kastle's is a different matter:this director-scenarist shows the couple "au naturel".We've already met Martha somewhere:she's the fat nurse, par excellence the outcast,deprived of the thrill of it all,particularly seduction and love.Her behavior,as horrifying it may be,makes sense.The whole movie depicts her pursuit of happiness.She's full of hatred,jealousy and her contempt for these ugly ,old and frivolous women is so intense it's almost unbearable.She hates them because their money can buy anything and most of them used to be wooed,something she has never known and never will.
This is one of the most ambitious side of the screenplay:taking a subject Alfred Hitchcock partially treated in "shadow of a doubt" (1942),it pushes it to its absolute limits:all these old biddies in their" pigpen" (as Joseph Cotten's uncle Charlie said),acting as if they are twenty-something and still dreaming of Prince Charming are so hateful the audience almost sides with Martha and her partner.
Ray is a very complex character:it's a gigolo,but in several respects ,he's still a child.Martha is at once his lover,his mother and his "sister" (they are as like as two peas in a pod ,one character says,echoing the "gun crazy " heroes,as like as two bullets in a revolver).Martha seems the leader,Ray acting more as an instrument. As their crimes become more and more appalling,sexual desire is increasing."I want to make love" Ray says,after having killed Fay.
Humor (most of the time black) is constant and some of the lines are hilarious.But the last crime is so horrible it leaves the audience completely in despair.And ending the movie with a romantic love letter is a product of pure provocation.
Although by no means a violent movie (particularly when compared to today's standards),it's definitely one of the most terrifying works of American cinema.A must .
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