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The Honeymoon Killers (1969)

 -  Crime | Drama | Romance  -  4 February 1970 (USA)
7.1
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Ratings: 7.1/10 from 2,560 users  
Reviews: 51 user | 51 critic

An obese, embittered nurse doesn't mind if her toupee-wearing boyfriend romances and fleeces other women, as long as he takes her along on his con jobs.

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Title: The Honeymoon Killers (1969)

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Cast

Cast overview, first billed only:
Shirley Stoler ...
...
Mary Jane Higby ...
Janet Fay
...
Bunny
Kip McArdle ...
...
Dortha Duckworth ...
Mrs. Beck - Martha's Mother
Barbara Cason ...
Evelyn Long
Ann Harris ...
Doris
Mary Breen ...
Elsa Raven ...
Matron
Mary Engel ...
Lucy
Guy Sorel ...
Mr. Dranoff
Michael Haley ...
Jackson (as Mike Haley)
Diane Asselin ...
Severns
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Storyline

In the early 1950s, Martha Beck, who lives with her slightly senile mother, is the head nurse in a Mobile, Alabama hospital. She is bitter about her life, she not having male companionship in large part because she is overweight, while her bitterness in turn does not endear her to people. She is initially angry with her best friend, Bunny, for signing her up to a lonely hearts club, but eventually decides to give it a try. Through it, she meets Ray Fernandez, a suave Spanish immigrant living in New York, he who contacted Martha as the first through the club. After Ray's trip to Mobile to meet Martha, they fall in love. Upon a subsequent visit Martha makes to Ray in New York - which leads to her being fired in part for her time off work - he decides to be up front with her: that she is not only not his "first" but that he is really a con man who, primarily through the club, seduces then bilks lonely women of their money. Pretending to be his sister to prospective targets, Martha ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

One of the most bizarre episodes in the annals of American Crime. See more »


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 February 1970 (USA)  »

Also Known As:

Dear Martha  »

Box Office

Budget:

$150,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (original)

Sound Mix:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Director François Truffaut called this his favorite American film. See more »

Goofs

In the scene on the bus with the dead victim of Martha and Ray, there is a long shot of the woman's face with her eyes somewhat googly and her tongue sticking out, as you hear the bus driver exclaiming her death, etc. Towards the end of the shot, if you watch the woman's face, you can see her tongue move. See more »

Quotes

Martha Beck: You promised! You promised!
See more »

Connections

Version of Lonely Hearts (1991) See more »

Soundtracks

The Battle Hymn Of The Republic
(uncredited)
Music by William Steffe
Lyrics by Julia Ward Howe
Sung by Ann Harris
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Disturbing
21 February 2010 | by (New Jersey) – See all my reviews

Based on the true story of Raymond Fernandez and Martha Beck, who met through a lonely-hearts correspondence club, Ray (Tony Lo Bianco) is sleazy and untrustworthy; Martha (Shirley Stoler) is obese, compulsive, and needy. Together, they play out a horrifying scheme in which he lures lonely women out on dates and proposes marriage to them, while she pretends to be his sister. After the marriage ceremonies, they take the womens savings and then murder them in cold blood.

The way this film is shot, with its grainy black and white footage, murky sound, bright whites and dark shadows, only adds to its incredibly unsettling nature. Watching this is almost like watching a documentary, and occasionally, a snuff film.

Though the acting from the supporting cast is a bit iffy at times, the two leads are excellent. Particularly Shirley Stoller. While Lo Bianco creates one of the most hateful slime-balls I've ever seen, Stoller dominates this film. Her Martha is a frightening, unpleasant, disgusting woman, who is as ugly on the inside as she is on the outside. Her evil nature fills the frame whenever she is on screen.

If you're looking for a fast paced thriller, look elsewhere. The pacing in this movie is slow, which only adds to the disturbing documentary feel. But if you want to see a movie where character comes first, and action second, seek this classic out.


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