Helen Ferguson, pregnant, penniless and dumped by her boyfriend Steve Morley, takes the identity of the pregnant Patrice Harkness, when she and her husband are killed in a train crash. The ... See full summary »
A psychotherapist attempts to rehabilitate a convict in his home after he breaks in. The criminal cooperates rather than being handed over to the police. The therapist's wife becomes ... See full summary »
In the coal mining region of Pennsylvania, Wanda Goronski is constantly drinking to shut out the problems in her life. Having deserted her husband and infant children, Wanda sleeps on her ... See full summary »
Producer Walter Wanger, who had just been released from a prison term after shooting a man he believed was having an affair with his wife, wanted to make a film about the appalling ... See full summary »
Jenny Marsh, still dangerously attractive after 5 years in prison for killing a man in defense of her shady lover Harry, clashes at first with parole officer Griff Marat, who's determined ... See full summary »
Two guys, sharing an apartment, meet twin girls. One is Shirley Temple grown-up, and the other is a major piece of bad news. The nice one is murdered and her boyfriend is accused of the crime. The wrong man-wrong victim plot strikes again.
Jonas (Walker Jr) is on the road to Salina. He stops at a gas station/restaurant and its owner, Mara (Hayworth), is struck by his resemblance to her dead son, Rocky (Porel). He decides to ... See full summary »
In the early 1950s, Martha Beck, who lives with her slightly senile mother, is the head nurse in a Mobile, Alabama hospital. She is bitter about her life, she not having male companionship in large part because she is overweight, while her bitterness in turn does not endear her to people. She is initially angry with her best friend, Bunny, for signing her up to a lonely hearts club, but eventually decides to give it a try. Through it, she meets Ray Fernandez, a suave Spanish immigrant living in New York, he who contacted Martha as the first through the club. After Ray's trip to Mobile to meet Martha, they fall in love. Upon a subsequent visit Martha makes to Ray in New York - which leads to her being fired in part for her time off work - he decides to be up front with her: that she is not only not his "first" but that he is really a con man who, primarily through the club, seduces then bilks lonely women of their money. Pretending to be his sister to prospective targets, Martha ... Written by
New York City based art-noise-rock band The Honeymoon Killers took their name from this film. See more »
In the scene on the bus with the dead victim of Martha and Ray, there is a long shot of the woman's face with her eyes somewhat googly and her tongue sticking out, as you hear the bus driver exclaiming her death, etc. Towards the end of the shot, if you watch the woman's face, you can see her tongue move. See more »
Based on the true story of Raymond Fernandez and Martha Beck, who met through a lonely-hearts correspondence club, Ray (Tony Lo Bianco) is sleazy and untrustworthy; Martha (Shirley Stoler) is obese, compulsive, and needy. Together, they play out a horrifying scheme in which he lures lonely women out on dates and proposes marriage to them, while she pretends to be his sister. After the marriage ceremonies, they take the womens savings and then murder them in cold blood.
The way this film is shot, with its grainy black and white footage, murky sound, bright whites and dark shadows, only adds to its incredibly unsettling nature. Watching this is almost like watching a documentary, and occasionally, a snuff film.
Though the acting from the supporting cast is a bit iffy at times, the two leads are excellent. Particularly Shirley Stoller. While Lo Bianco creates one of the most hateful slime-balls I've ever seen, Stoller dominates this film. Her Martha is a frightening, unpleasant, disgusting woman, who is as ugly on the inside as she is on the outside. Her evil nature fills the frame whenever she is on screen.
If you're looking for a fast paced thriller, look elsewhere. The pacing in this movie is slow, which only adds to the disturbing documentary feel. But if you want to see a movie where character comes first, and action second, seek this classic out.
9 of 11 people found this review helpful.
Was this review helpful to you?