Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career and her personal life, particularly her relationship with Nick Arnstein.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <email@example.com>
Was the very first film released on home video (VHS and Betamax) in the US. It was in the fall of 1977 on the Magnetic Video Corporation label, back when it was an independent company, and was the first of the 50 original films it licensed from Fox. Its catalog number was CL-1001. See more »
The red-carpeted staircase at the Harmonia Gardens restaurant has brass carpet rods on each stair during all of the scenes prior to the arrival of Dolly Levi. When she arrives and they sing "Hello, Dolly," the carpet rods are gone. See more »
[after Cornelius attempts a dance lesson from Dolly]
Oh, that's just absolutely wonderful, Mr. Hackl. When I think of the lucky women who'll find Heaven in your arms... I think we'll go back to Lesson One. Shall we?
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perfectly directed by the wonderful and legendary gene kelly, with a note perfect cast. i was 20 years old when i first saw this film, beforehand, i had no desire to see it as i really did not like streisand. but having seen all the new releases that week, a friend pushed and shoved my into the theatre to see this. after the film we came out floating and dancing and singing, i have since seen it countless times, many times in glorious 70mm. the songs the dances the amazing sets and productions, all have gained in stature and enjoyment. yet again the public and quite a few critics got it so wrong, the film alas sank at the box office, and killed off an uplifting genre. sad also to see junk like chicago get kudos and box office, a film that is so cynical, tuneless and full of noise and empty bombast. performed by people who cannot sing or dance.bring back the old style Hollywood musical i say
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