Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
The life of Fanny Brice, famed comedienne and entertainer of the early 1900s. We see her rise to fame as a Ziegfield girl, subsequent career and her personal life, particularly her relationship with Nick Arnstein.
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <email@example.com>
The ornate glass windows in the background of the Harmonia Gardens were recycled and used in the main dining room skylights of the SS Poseidon in The Poseidon Adventure (1972). Egyptian hieroglyphic backgrounds from Cleopatra (1963) completed the Poseidon's dining room, even though the ship's design theme was of the Greek god Poseidon. See more »
In Harmonia Gardens, after Cornelius says that he is "Gonna become a honest man and tell the truth," he puts the bottle on the table and goes to sit near Irene, holding the drinking cup. When he sits down the drinking cup has disappeared. See more »
This film was presented in a monthly film series (@ a society of retired university faculty & staff). Through the past year, to this point, all of our films have been interesting. We left half-way through this one at the intermission (thankfully, there was an intermission so my partner and I could compare our reactions and find they were similar).
The acting seemed somewhat flat and without much spark or life (despite or because of dramatic gesticulations, voice inflections?). And the dance numbers seemed too long and extravagant and, rather than promoting vitality and interest, dampened ours.
Maybe if we'd stayed to the conclusion, it would have fully redeemed itself?--but we saw nothing in the first 90 minutes to suggest such a promise would be fulfilled.
We both agreed that Barbara Streisand seemed too young for the part she was playing while Walter Matthau, her love interest, looked as if he was going through the motions while playing a role he didn't really want to be in.
I'm glad others enjoy it; different strokes for different folks.
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