Matchmaker Dolly Levi travels to Yonkers to find a partner for "half-a-millionaire" Horace Vandergelder, convincing his niece, his niece's intended, and his two clerks to travel to New York City along the way.
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A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <firstname.lastname@example.org>
When Irene and Minnie meet up with Cornelius and Barnaby at Harmonia Gardens they say "We're here" and "Hello" (in a two shot of Irene and Minnie respectively) they then switch to a two shot of Cornelius and Barnaby (when Barnaby tips his cap ) and Cornelius is behind Barnaby's left shoulder. Then the shot changes to a side group shot (where Cornelius kisses Irene's hand) but now his body has jumped a little in front of Barnaby's.. See more »
I'm going to march in the 14th street parade with the only kind of people I can trust: 700 men.
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Well, right off the bat, I will admit that I love this movie. I know it almost bankrupted 20th Century Fox and that the critics were lukewarm about it on release in 1969, but they were flat-out wrong. And the perspective afforded by the passage of time has seen this become one of the most-loved of the Hollywood blockbuster musicals.
The principals in the cast are all wonderful. Streisand is simply gorgeous and sings beautifully, as does Marianne McAndrew. Matthau is, well, typical Matthau: all wonderful hang-dog expressions of exasperation and a grouchy exterior hiding a warm-hearted soul. Michael Crawford, in an early role, doesn't quite have the voice he developed later in life, but it suits the part of the shy and nervous Hackl.
The music is fabulous. It is one of Jerry Herman's very best pieces of work, in my opinion. It's full of great songs and the finale set-piece, when Dolly returns to the Harmonia Gardens, is magnificent, along with Louis Armstrong's great singing.
Gene Kelly had Michael Kidd onboard as choreographer and he produced some superb set-pieces. The parade scene is incredible and required hundreds of extras. The story might be a bit thin, but the production values more than make up for it. The sets are remarkable, as are the costumes. The fact it was shot in 65mm Todd/AO means that it is a great visual experience, with tremendous detail visible.
This is a truly great musical movie. If you haven't seen it, you really, really, should. You'll been for a treat.
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