A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
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A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <firstname.lastname@example.org>
In the final shot Horace kisses Dolly in front of the church. Walter Matthau detested Barbra Streisand so much that he refused to kiss her. To get around this he leaned near her and the camera was positioned so that the angle makes it appear that he kisses her when, in reality, his face was several inches from hers See more »
After Horace leaves for New York, Dolly is wandering around in the store. Just before she walks out of the door, she slings her purse over her right shoulder and holds it with her right hand, but when the angle cuts to her coming out of the door, she is holding her purse with both hands down in front of her. See more »
While some of the cast of "Hello, Dolly! leaves something to be desired, its sets, costumes, general production values, and choreography cannot be beat. Striesand is miscast, but nobody can fault her for that. She gives it her all, and frankly, I prefer her performance in this film, over her inexplicable star-making turn in "Funny Girl". Lots of money was spent on making this film, and every cent of it can be seen in the finished product. The film is leaps and bounds over almost everything made today. Every musical number is first-rate. This film should ONLY be seen in WIDESCREEN. To view a cropped video tape would be silly, since you would be seeing only half the film. "Hello, Dolly! is lots of fun, and a true testimony to the lost art of fine film-making.
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