A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »
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A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <firstname.lastname@example.org>
When director George Roy Hill heard about the turn-of-the-century New York set constructed for the film, he wanted to use the set to film a brief sequence in which Butch Cassidy and the Sundance Kid (1969) and Etta Place visit the Big Apple. The producers were proprietary about the set, and didn't want it to appear in another movie. 20th Century Fox, however, allowed Hill to take still photographs of his stars Paul Newman, Robert Redford and Katharine Ross on the set, surrounded by the extras (who appear in the old-time, tinted photos as city crowds) which were used in a montage sequence that served as a transition between the U.S. West and Bolivia sections of the movie. See more »
When Horace is marching in the parade, Dolly approaches him to talk so he holds the sword upward on his right shoulder. Between cuts, when she talks about dinner at Harmonia Gardens, the sword disappears repeatedly. See more »
Perhaps... just perhaps... Gene Kelly INTENTIONALLY cast Barbara Streisand as a younger, more sexual Dolly rather than the older version because he thought it would make more money... obviously wrong, but nonetheless an interesting strategy. I don't remember much of that time (late 60's) but I do remember seeing the movie with my mother at a drive-in way back then, and then catching a commercial-ridden version on a local TV station in the 80's after I had significantly fallen in love with Babs by way of Yentl. I believe, if I remember correctly, that Rudy's line at the Harmonia Gardens says that Dolly has not made an appearance there in over 2 years (not 20, not 40, not 50)... Let's assume that Ephraim died some 2 years ago and Dolly in despair cut herself out of her old life. Even at 27 (Babs age at the time), she could have been widowed at 25, which at the turn of the century would have been about 7 years of marriage for most ladies... How long did she have to have been married to qualify as "experienced". She purposefully picks on Horace because she has decided not to look for another "love of her life," but rather has chosen to affect someone who is bound to spend his life alone (like she has been facing) and make something more of his life than he alone could have done. Remember she even says in her prayer to Ephraim "Oh it won't be a marriage in the sense that we had one..." Get off the "She's too young" kick and look at the movie for what it is... a big, splashy, excellent produced bit of Americana. Movie musicals will never be this audaciously classy and clever ever again.
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