A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ...
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Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »
Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »
Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »
A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »
A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock clerks and his niece and her beau to go to New York City. In New York, she fixes Vandergelder's clerks up with the woman Vandergelder had been courting, and her shop assistant (Dolly has designs of her own on Mr. Vandergelder, you see). Written by
Randy Goldberg <email@example.com>
The set for the Harmonia Gardens filled an entire sound stage at Fox Studios and occupied three levels: a dance floor, a main section that surrounded the dance floor and an upper mezzanine. The Harmonia Gardens sequence took an entire month to shoot. See more »
In Harmonia Gardens, after Cornelius says that he is "Gonna become a honest man and tell the truth," he puts the bottle on the table and goes to sit near Irene, holding the drinking cup. When he sits down the drinking cup has disappeared. See more »
I've worked hard and I've become rich and friendless and mean. In America, that's about as far as you can go.
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This film was presented in a monthly film series (@ a society of retired university faculty & staff). Through the past year, to this point, all of our films have been interesting. We left half-way through this one at the intermission (thankfully, there was an intermission so my partner and I could compare our reactions and find they were similar).
The acting seemed somewhat flat and without much spark or life (despite or because of dramatic gesticulations, voice inflections?). And the dance numbers seemed too long and extravagant and, rather than promoting vitality and interest, dampened ours.
Maybe if we'd stayed to the conclusion, it would have fully redeemed itself?--but we saw nothing in the first 90 minutes to suggest such a promise would be fulfilled.
We both agreed that Barbara Streisand seemed too young for the part she was playing while Walter Matthau, her love interest, looked as if he was going through the motions while playing a role he didn't really want to be in.
I'm glad others enjoy it; different strokes for different folks.
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