6.5/10
793
20 user 12 critic

The Happy Ending (1969)

R | | Drama | 22 May 1970 (Ireland)
A middle-aged woman walks out on her husband and family in an desperate attempt to find herself.

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Nominated for 2 Oscars. Another 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Mary Wilson
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Fred Wilson
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Flo Harrigan
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Sam
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Mrs. Spencer
...
Harry Bricker
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Agnes
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Franco (as Robert Darin)
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Helen Bricker
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Marge Wilson
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Divorcee
Gail Hensley ...
Betty
...
Ethel
...
Minister (as Wm. O'Connell)
Barry Cahill ...
Handsome Man
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Storyline

The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson (Jean Simmons), a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don't know why, people for whom life holds no easy answers. Great supporting cast includes John Forsythe, Teresa Wright, Lloyd Bridges, Shirley Jones, Bobby Darin, Tina Louise, Dick Shawn, and Nanette Fabray. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Beautiful face. Gorgeous body. Loving husband. A host of friends. But she's still missing everything a woman wants. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for some substance abuse and brief nudity | See all certifications »
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Details

Country:

Language:

Release Date:

22 May 1970 (Ireland)  »

Also Known As:

Amar Sem Amor  »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Teresa Wright was just 11 years older than Jean Simmons, who was playing her daughter. See more »

Goofs

During opening credit sequence, many late model 1960's cars can be seen in flashback scene supposedly set 15 years earlier. See more »

Quotes

Agnes: If sex were the only thing that really mattered, the whole world would be run by rabbits!
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Connections

Features Susan Lenox <Her Fall and Rise> (1931) See more »

Soundtracks

The Pause That Refreshes
Written and Performed by Michel Legrand
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User Reviews

 
Excellent Simmons fare
29 November 2005 | by (United States) – See all my reviews

I love movies that come down hard against conventional life. And the ones that feature nagging, chronically unhappy, never-satisfied married people go in my "horror" stack, along with Halloween, Videodrome, Suspiria, The Fog, etc. Watching that way of life is enough to fill anyone with ineffable dread.

When you consider that lead actress Jean Simmons and director Richard Brooks (married 1960-1977) were on their way to divorce, that just adds to the terror.

Though it echoes themes in Charlotte Perkins Gilman's The Yellow Wallpaper (1899), The Happy Ending is still seen as a proto-feminist text, which it well may be. I've long held that Jean Simmons (or at least the "Jean Simmons image") is not this quiet, polite, understated "demure beauty" that is somehow constantly breaking out of that particular mold. Ms. Simmons herself can be seen as a "proto-feminist" or strong female lead actress. She demonstrates this in Hamlet, Desiree, Young Bess, The Big Country, and certainly Elmer Gantry; one could actually make this case for many of her films available on video.

Her part in The Happy Ending is really just an expansion of these roles, only this time, the unhappy marriage is brought to the fore instead of subsumed in Hollywood/Happy ending resolve.

It's not just proto-feminist women who feel trapped by marriage; that men get cold feet and then have affairs is almost too cliché to mention or bother to put in quotes. How many movies about extramarital affairs have entertained millions? This film just happens to present the unthinkable horror of when a woman wants out of it. Good for them. 8/10, but be advised, this is coming from someone unable to resist movies about women who don't want to be married.

To this end, see it as a double feature with Baby Doll (1956), or Possession (1981), mess up your mind, a little.


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