A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick ... See full summary »
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
In the early 1900's Tennessee, a loving family undergoes the shock of the father's sudden, accidental death. The widow and her young son must endure the heartache of life following the ... See full summary »
Sgt. Thorne Ryan, who once fought bravely in Korea, now serves as a hard-nosed drill instructor to new Army recruits at Fort Bliss, Texas. But is he really the man he is often described as?... See full summary »
The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson (Jean Simmons), a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don't know why, people for whom life holds no easy answers. Great supporting cast includes John Forsythe, Teresa Wright, Lloyd Bridges, Shirley Jones, Bobby Darin, Tina Louise, Dick Shawn, and Nanette Fabray. Written by
Theresa Wright was just 11 years older than Jean Simmons, who was playing her daughter. See more »
During opening credit sequence, many late model 1960's cars can be seen in flashback scene supposedly set 15 years earlier. See more »
Some girls work their way through college selling magazines. I sold *me*.
I don't want to hear it.
It's a success story with a bang finish. Lucky my mother hated breast-feeding, or I'd been alcoholic before I could walk. Finally killed her. Every Sunday, drunk or sober, she'd give me the same lecture: "Girl, ya' gotta' go to college. Because without an education, you either end up a big-mouthed housewife, or a big-assed whore." My freshman year, she dropped dead - smack in the middle of praying...
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In typically ironic '60s fashion, nobody here has the capacity for happiness
Pauline Kael, film critic for The New Yorker, quipped about this film, "It's the kind of liberation movie that never liberated anyone." That's a clever line, but it isn't exactly true. Richard Brooks shows the upwardly mobile as stiff dullards with drinks in their hands, the upper middle class as stifling. The trouble with his film is the central character: as played by Jean Simmons, she's one of those bored and lonely housewives who desires MORE! Simmons is repressed of her emotions, yet even when she makes her escape, she's still a pinchy drag. The supporting characters aren't written any better, but the performers themselves are surely more interesting: Bobby Darin is terrific as a phony gigolo, Tina Louise excellent as an acerbic society wife, Shirley Jones as a normal woman trying to remain casual about her married lover, John Forsythe as Simmons' confused spouse (he doesn't know how to reach her, which is a sympathetic quality since we don't either). The title means to tell us that we make our own happy endings--that we can't find them through other people--and the final scene between husband and wife is a tricky little chess-move that leaves us up in the air. I liked many things in "The Happy Ending", but its parts are better than the sum. **1/2 from ****
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