A bank security expert plots with a call girl to rob three safety deposit boxes containing $1.5 million in cash belonging to three very different criminals from a high-tech security bank in Hamburg, Germany.
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
A satire of American news reporting, Covert Agencies, and political system. The theft of two suitcase sized nuclear weapons, and their sale to a terrorist group, leads TV Newsman Patrick ... See full summary »
In the early 1900's Tennessee, a loving family undergoes the shock of the father's sudden, accidental death. The widow and her young son must endure the heartache of life following the ... See full summary »
Even though Peter and Kimani grow up together, Kimani soon finds that different races are treated differently. After the father of Kimani is jailed for following tribal customs, Kimani ... See full summary »
Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the ... See full summary »
The triumphs and failures of middle age as seen through the eyes of runaway American housewife Mary Wilson (Jean Simmons), a woman who believes that ultimate reality exists above and beyond the routine procedures of conscious, uninspired, everyday life. She feels cheated by an older generation that taught her to settle for nothing less than storybook finales, people who are disillusioned and restless and don't know why, people for whom life holds no easy answers. Great supporting cast includes John Forsythe, Teresa Wright, Lloyd Bridges, Shirley Jones, Bobby Darin, Tina Louise, Dick Shawn, and Nanette Fabray. Written by
I love movies that come down hard against conventional life. And the ones that feature nagging, chronically unhappy, never-satisfied married people go in my "horror" stack, along with Halloween, Videodrome, Suspiria, The Fog, etc. Watching that way of life is enough to fill anyone with ineffable dread.
When you consider that lead actress Jean Simmons and director Richard Brooks (married 1960-1977) were on their way to divorce, that just adds to the terror.
Though it echoes themes in Charlotte Perkins Gilman's The Yellow Wallpaper (1899), The Happy Ending is still seen as a proto-feminist text, which it well may be. I've long held that Jean Simmons (or at least the "Jean Simmons image") is not this quiet, polite, understated "demure beauty" that is somehow constantly breaking out of that particular mold. Ms. Simmons herself can be seen as a "proto-feminist" or strong female lead actress. She demonstrates this in Hamlet, Desiree, Young Bess, The Big Country, and certainly Elmer Gantry; one could actually make this case for many of her films available on video.
Her part in The Happy Ending is really just an expansion of these roles, only this time, the unhappy marriage is brought to the fore instead of subsumed in Hollywood/Happy ending resolve.
It's not just proto-feminist women who feel trapped by marriage; that men get cold feet and then have affairs is almost too cliché to mention or bother to put in quotes. How many movies about extramarital affairs have entertained millions? This film just happens to present the unthinkable horror of when a woman wants out of it. Good for them. 8/10, but be advised, this is coming from someone unable to resist movies about women who don't want to be married.
To this end, see it as a double feature with Baby Doll (1956), or Possession (1981), mess up your mind, a little.
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