Marshal Chris Adams turns down a friend's request to help stop the depredations of a gang of Mexican bandits. When his wife is killed by bank robbers and his friend is killed capturing the ... See full summary »
Lee Van Cleef,
Chico one of the remaining members of The Magnificent Seven now lives in the town that they (The Seven) helped. One day someone comes and takes most of the men prisoner. His wife seeks out ... See full summary »
Master gunslinger Sabata arrives in Hobsonville, a town completely owned by McIntock, a robber baron who is taxing the inhabitants for the cost of future improvements to the town. Or that's... See full summary »
Lee Van Cleef,
Film maker Richard John Taylor examines the world of 'drinking buddies' and looks at six friends of his who he drinks with every weekend and asks the question that apart from the place ... See full summary »
Richard John Taylor
This early Seventies British comedy takes us through seven short stories based on the Seven Deadly Sins. This film is a montage of different styles, from Spike Milligan's mainly silent "... See full summary »
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
Posing as a hangman, Mace Bishop arrives in town with the intention of freeing a gang of outlaws, including his brother, from the gallows. Mace urges his younger brother to give up crime. ... See full summary »
When Confederate soldier Matt Weaver returns to town after the Civil War, he finds that his home has been sold by town boss Sam Brewster. Brewster hires gunfighter Jules Gaspard d'Estaing ... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more hunted than prey, ... See full summary »
Despite bearing no resemblance to Yul Brynner, including a full head of hair, George Kennedy takes over the role of Chris Adams, played by Brynner in the first two films. Even Adams' trademark dark clothing is gone. What remains is the steel resolve and affinity for cigars. See more »
During the beginning of the attack on the prison you can see a string attached to the knife that is thrown at the guard in the tower. See more »
Where is the meeting?
In the church.
Is Quintero with them?
See more »
`The Guns of the Magnificent Seven' is, after the first film in the series, the best of the four `Seven' films. I'm constantly surprised at the number of critics who feel that this is the most undistinguished of the bunch as it is better cast, better written, better acted and better directed than any of the original `Magnificent Seven's other predecessors.
In my book, it easily rates alongside the first. It has a stronger story than any of the others (including the first) and the `seven' (especially Bernie Casey, Joe Don Baker and an excellent Monte Markham, in Steve McQueen-mode as Keno) have a doomed quality about them only matched by the Robert Vaughan character in the original film.
As the leader of the group, Chris, George Kennedy is excellent. He is both powerful and commanding, and more believable than either Yul Brynner or Lee Van Cleef were in the role. Sure, he's not as suave and `cool' as Brynner, but his Chris is a lot more interesting. Kennedy is an actor capable of delivering much tension and underplayed anger, and in this role he serves up plenty of each. The plot (the seven must rescue a Mexican bandit revolutionary from an evil army commandant) is skilfully executed by director Paul Wendkos. The action sequences are lively and made even more so the excellent (as ever) Elmer Bernstein score, which is played at an even more upbeat tempo than usual.
On the whole, this film would easily be at the top of my list of favourite Westerns, along with the Anthony Mann/James Stewart thriller-westerns of the 50s. It is certainly a cut above the score of cheap Italian/Spanish/US genre films that usually - and somewhat incredibly to my mind - seem to command greater respect in the field than they deserve. This is classier stuff than some critics would have you believe and deserves to be viewed as an enjoyable film in its own right rather than simply as a sequel to a great film. Indeed, in many ways it might have played better as a sequel to Richard Brooks' 1966 film `The Professionals' than as a follow-up to `The Magnificent Seven'.
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