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16 user

The Great Bank Robbery (1969)

Three separate plans to rob a top-security bank in the western town of Friendly, Texas, circa 1880.

Director:

Writers:

(screenplay), (based on the novel by)
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Cast

Cast overview, first billed only:
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Slade
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Mayor Kincaid
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Brother Lilac Bailey - Art Forger
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Secret Agent Fong
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Jeb (as Elisha Cook)
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Sheriff of Friendly
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Storyline

Lyda Kabanov and her assortment of buddies pose as leaders of the only church in Friendly, Texas, their intention being to rob the fortress-like bank built by the Brothers James, Dalton, and Younger to house their ill-gotten gold. Arriving in town on dust-covered feet, Lyda is introduced by phony evangelist Pious Blue as "my cousin" and she promptly opens her dress and displays her voluptuous charms. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

It was a bank that couldn't be taken. But three different gangs tried. All on the same morning. See more »

Genres:

Comedy | Western

Certificate:

M | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 November 1969 (West Germany)  »

Also Known As:

A nagy bankrablás  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This project was originally set up at Paramount in 1967, and Rex Harrison and Melina Mercouri were being wooed to star. See more »

Goofs

The second time Lila rides up to the bank, she is astride the horse. Her next scene she is riding side saddle. See more »

Quotes

Ranger Ben Quick: Just because I talk slow don't mean I'm peculiar.
See more »

Connections

References Cool Hand Luke (1967) See more »

Soundtracks

The Rainbow Rider
Lyrics by Sammy Cahn
Music by Jimmy Van Heusen (as James Van Heusen)
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User Reviews

 
Dismal Vehicle for Zero, but Claude Atkins does very well
14 February 2006 | by See all my reviews

Zero Mostel managed, after being blacklisted in the McCarthy period, to climb back to his place as one of the leading stage personalities of his day. UlYSSES IN NIGHTOWN, RHINOCEROS, A FUNNY THING HAPPENED ON THE WAY TO THE FORUM, and FIDDLER ON THE ROOF made him a Broadway immortal. The film versions of A FUNNY THING HAPPENED and THE PRODUCERS showed he could have been one of the great screen comedic actors. Then, came GREAT CATHERINE and THE GREAT BANK ROBBERY, and Zero soon was seen as good as support but not in leads. He would have other screen highlights in the future (THE HOT ROCK, THE FRONT), but the possible great film career was screwed up.

As Reverend Pious Blue, Zero was supposed to be the head of a gang masquerading as revivalists, but actually a criminal gang planning to rob the bank owned by Big John Anderson (who is also the town Mayor). The gang includes Kim Novak and John Fiedler. The trouble is that others are considering a bank robbery: Claude Atkins, the film's stereotypical (?) bad man, and a gang of Mexican bandits led by Akim Tamiroff and Larry Storch. There is also a hero, who is romancing Kim, played by Clint Walker. These various elements, which also include Atkins' sidekick Elisha Cook Jr. and Ruth Warwick, simply do not jell. There are moments that are amusing, but more that are simply stupid. The robbery itself is not as good as the destruction of the theater by Zero, Gene Wilder, and Kenneth Mars in THE PRODUCERS, and that sequence only took five minutes of film (originally - now it's been cut to three minutes). The most notable point about it was the getaway (in a balloon).

But there was one bright spot - not Zero but Claude. Atkins was always a good actor, usually as heavies (even in INHERIT THE WIND he was the fundamentalist reverend who turns against his daughter for supporting Bertram Cates). Another typical role was in THE DEFIANT ONES, when he is the man who would turn Sidney Poitier and Tony Curtis over to the Sheriff (Theodore Bickel) because of his racism. But in this film he was allowed to be unique. He is the most moralistic gunfighter I know of in film. Every time he faces one of the questionable characters in the film, he starts referring to them as "scum" or "scum of the earth". It becomes like a moralistic mantra. He is a man with a hot temper, as Cook discovers to his cost, but he can show a nice sense of remorse afterward. His over-the-top moral bad-guy is the best thing in the film. As a result watch it for that. But otherwise it was a dismal failure for everyone else involved.


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