Grisly strangulations in London alert Nayland Smith of Scotland Yard to the possibility of the fiendish Fu Manchu may not be dead after all, even though Smith witnessed his execution. A ... See full summary »
In his remote Asian hideaway the evil Fu Manchu plots the death and discredit of his arch rival, Inspector Nayland Smith of Scotland Yard, as the first step in his plan to become leader of ... See full summary »
Fu Manchu and his army of henchmen are kidnapping the daughters of prominent scientists and taking them to his remote island headquarters. Instead of asking for ransom, Fu demands that the ... See full summary »
"Red Lips" are two female detectives trying to find missing models and dancers. A pop artist called Klaus Thriller and his werewolf-like assistant, Morpho, are the main suspects for the ... See full summary »
New inmate Marie arrives at an island prison in the women's sector and receives the number 99. The inmates are controlled by the sadistic lesbian warden Thelma Diaz and Governor Santos and ... See full summary »
A plane leaving the turmoil of a South American country in the midst of a revolution crash-lands in the Amazon jungle in Brazil. Among the passengers are a corrupt banker who is smuggling ... See full summary »
Gila von Weitershausen,
Hans Hass Jr.
Somewhere in the jungles of South America mercenaries stop a truck which has allegedly loaded fruit. The cargo turns out to be six young women. Apprehended and handed over to the custody of the local women's prison.
The evil mastermind Fu Manchu plots his latest scheme to basically freeze over the Earth's oceans with his diabolical new device. Opposing him is his arch-nemesis, Interpol's very British Dr. Nayland Smith. Written by
Although credits state that locations were "filmed in Istanbul and surroundings", most of them correspond to Barcelona (Spain). See more »
In scenes that were supposed to have taken place in Turkey in
the 1920s, characters are shown wearing the fez, the wearing of which Turkish leader Mustafa Kemal Ataturk banned (because of its connections with feudalism) in the 1920s. See more »
The entrance to eternity. Beyond that door there is a tunnel which leads directly to the sea. Cisterns of water are poised above it. The touch of a lever will release hundreds of thousands of gallons of water into that tunnel, and combined with professor Heracles' crystals this can transform the entire sea into one gigantic block of ice.
See more »
Maria Perschy's character is called Dr. Ingrid Koch but on the credits her character's name is given as Marie. See more »
On a technical level, this film barely achieves the level of the average home movie!
The film that was to be the final entry in the new Fu Manchu series from international quickie film financier Harry Alan Towers made its belated theatrical appearance four years after it was made. In the USA, it played the bottom of the bill on the drive-in theater circuits. It crept into theaters sheepishly, victim of the commercial and critical thrashing given to its predecessor. The word in fan circles was that "Castle of Fu Manchu" was a new low, even worse than what had come before. It would be years before many of these same fans were able to see the film, which rapidly disappeared into obscurity until resurrected from its public domain limbo by the home video market. This film's non-performance at the world's box offices effectively killed the series: the contracted sixth Fu manchu film was never made.
On a technical level, "Castle" is a notch below even the low standards established by its predecessor. The shadows of the camera crew are visible in some scenes. Director Jess Franco's chronic zoom photography is more annoying and lazy here. Parts of the film are so technically shoddy, they barely achieve the level of the average home movie. The most professional scene in the film is a dolly shot of Maria Perschy crossing a Madrid street, and this was filmed by the second unit!
However, because its script is slightly better, this film can arguably be ranked above "Blood of Fu Manchu", although few fans would risk their credibility defending either film. At least "Castle" is concerned with Fu Manchu's current plot to conquer the world and does not pad out its running time with irrelevant subplots. What it does use for padding is stock footage. For its opening sequence, "Castle" lifts the entire climax of "Brides of Fu Manchu" and, incredibly, extends this sequence with footage of the Titanic from the 1958 film "A Night to Remember"! Using stock footage to supplement stock footage is either brashly clever or establishes a new standard of cheapness.
Perhaps the ultimate snub to the film came from the producer himself, who kept his wife Maria Rohm out of the cast.
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