International terrorists get a surprise when their cargo turns out to contain living dinosaurs. The army commando team now have to think fast, if they want to prevent the extinction of the human species, instead of the reptiles.
Fu Manchu's 168th birthday celebration is dampened when a hapless flunky spills Fu's age-regressing elixir vitae. Fu sends his lackeys to round up ingredients for a new batch of elixir, ... See full summary »
Legendary outlaw of the Old West Jesse James, on the run from Marshal MacPhee, hides out in the castle of Baron Frankenstein's granddaughter Maria, who proceeds to transform Jesse's ... See full summary »
The story revolves around Anne who is held hostage by an escaped maniac from an insane asylum. The fugitive forces her to tell stories to prevent her from getting help. Anne then spins a ... See full summary »
The evil mastermind Fu Manchu plots his latest scheme to basically freeze over the Earth's oceans with his diabolical new device. Opposing him is his arch-nemesis, Interpol's very British Dr. Nayland Smith. Written by
The Nov. 6, 1968, edition of Variety magazine reported that Rossanno Brazzi was to have a lead role in this movie. See more »
In scenes that were supposed to have taken place in Turkey in
the 1920s, characters are shown wearing the fez, the wearing of which Turkish leader Mustafa Kemal Ataturk banned (because of its connections with feudalism) in the 1920s. See more »
What a difference a decent transfer makes. For ages only viewable in muddy, heavily cut, nearly unwatchable prints, The Castle of Fu Manchu is now available, thanks to Blue Underground, in all of its colorful, zoom-laden glory. The last of producer Harry Alan Towers' five-film Fu Manchu series, and generally considered to be the worst, The Castle of Fu Manchu is actually a fun, trashy time waster, and far better than the previous film in the series, The Blood of Fu Manchu, which was burdened by a tedious bandito sub plot that dragged the film to a grinding halt. Directed with a certain pulpy vitality by the highly erratic but occasionally brilliant Jess Franco, Castle has a tacky comic book verve that is hard to resist, and that is certainly more entertaining than many of the expensive, highly touted bombs that Hollywood has been dropping lately. Contrary to what others have reported on this site, Christopher Lee is in excellent form, delivering his lines with distinctive aplomb and offering a stunning, iconographic series of facial expressions as he attempts to overact under the restrictive 'Oriental' make-up. The great Tsai Chin (soon to be seen as 'Auntie' in Memoirs of a Geisha), as Fu's devoted, sadistic daughter, Lin Tang, is terrific as always, and looks particularly fetching in her white Hejab. Best of all, Rosalba Neri shows up as a tough, Fez-topped lesbian, of whom Fu says "Keep her alive. She might be useful to us. She fights like a man." Peter Welbeck's screenplay may be incomprehensible rubbish, but they don't write lines like that anymore.
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