Charlie Kohler is a piano player in a bar. The waitress Lena is in love with him. One of Charlie's brother, Chico, a crook, takes refuge in the bar because he is chased by two gangsters, ... See full summary »
"Love at Twenty" unites five directors from around the world to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of ... See full summary »
During the hot summer, 5 kids, "Les Mistons", spy on two lovers. They follow Gerard and Bernadette everywhere. Les Mistons send a suggestive postcard to Bernadette once Gerard is away. But ... See full summary »
Jean Lerat de la Grignotière is as full of himself as his name is long. Heeding (somewhat reluctantly to be true) the call of the Motherland he goes to the barracks where he is to ... See full summary »
Claude de Givray,
Christian de Tillière,
This short film is the first segment of five in the multinational feature Love at Twenty (1962), all five segments on the theme of first adult love. After indulging in much delinquency in ... See full summary »
1798. In a forest, some countrymen catch a wild child who can not walk, speak, read nor write. Doctor Itard is interested by the child, and starts to educate him. Everybody thinks he will fail, but with a lot of love and patience, he manages to obtain results and the child continues with normal development. This is based on true story. Written by
The incidents based on true life, as reported by Dr. Itard and as shown by Truffaut, include the facts that: (1) Victor was captured by hunters. (2) Pinel did conclude and dismiss Victor as a helpless retarded child, "an incurable idiot." (3) Crowds of Parisians really did come to see the "Wild Boy of Aveyron." (4) Victor really did prefer the "O" sound, and accepted the name Victor, which in French has an accent on the "O" [veek-TOR]. (5) Dr. Itard appears to have been truly kind to the boy, as were Mme. Guerin and the neighbors. (6) Victor appears to have had great affection for Itard and Guerin, but was never interested in children of his own age. See more »
When getting ready to see the neighbors, the boy's hands are on the same pane of glass in the window, but in the next cut, his hands are on different panes. See more »
Le Dr Jean Itard:
Canton of St. Sernin. A boy, 11 or 12 years old, naked and apparently deaf and dumb while searching for acorns and roots to eat was caught in the Caune woods by three hunters as he was about to climb a tree to escape from them. Taken to a nearby hamlet...
[he stops reading and cuts the article from the paper]
Le Dr Jean Itard:
I could examine him and establish the degree of intelligence and the nature of ideas in an adolescent deprived since childhood of all education because he had lived apart from his species.
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Everything about this movie is great. The acting is done perfectly, particularly Victor. This child has the ability to evoke every primal human emotion without doing anything but making sounds and using facial expressions. Perhaps only a child could be capable of doing this but I doubt any child could do it as well. We feel sympathy for him and want to care for him ourselves at the same time that we are anxious about the deep mystery he forces us to recognize. The scene when he is rocking under the full moon, and the look on his face as the movie ends, are brilliant and frightening. The fact that this actor, to my knowledge, has done nothing since, adds to the effect. Where did he go? Might he have been more in touch with this side of humanity than just as an actor? Just incredible. And Truffault's direction was perfect as well. Filmed in a minimalist style and cleverly utilizing early film techniques, he evokes a time period yet allows no distraction from the actual issues involved in the story. The viewer is forced to pay attention and forced to deal with the issues confronting the doctor and his relationship with the boy. I cannot recommend this highly enough.
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