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Directed by | |||
| Dennis Hopper | |||
Writing credits | ||
| Peter Fonda | (written by) & | |
| Dennis Hopper | (written by) & | |
| Terry Southern | (written by) | |
Produced by | |||
| Peter Fonda | .... | producer | |
| William Hayward | .... | associate producer (as William L. Hayward) | |
| Bert Schneider | .... | executive producer | |
| Bob Rafelson | .... | producer (uncredited) | |
Cinematography by | |||
| László Kovács | (director of photography) (as Laszlo Kovacs) | ||
| Baird Bryant | (uncredited) | ||
Film Editing by | |||
| Donn Cambern | |||
Art Direction by | |||
| Jeremy Kay | (as Jerry Kay) | ||
Makeup Department | |||
| Virgil Frye | .... | makeup artist | |
Production Management | |||
| Paul Lewis | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Len Marsal | .... | second assistant director | |
Art Department | |||
| Robert Vincent O'Neill | .... | property master (as Robert O'Neil) | |
Sound Department | |||
| James Contrares | .... | boom operator | |
| Le Roy Robbins | .... | sound mixer | |
Special Effects by | |||
| Steve Karkus | .... | special effects | |
Stunts | |||
| Tex Hall | .... | stunt gaffer | |
| Gary Littlejohn | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Richmond L. Aguilar | .... | gaffer (as Richmond Aguilar) | |
| Guy Badger | .... | generator operator | |
| Foster K. Denker | .... | electrician (as Foster Denker) | |
| Peter Heiser | .... | assistant camera (as Peter Heiser Jr.) | |
| Melton Maxwell | .... | best boy (as Mel Maxwell) | |
| Tom Ramsey | .... | key grip (as Thomas Ramsey) | |
| Peter Sorel | .... | still photographer | |
| Les Blank | .... | second camera operator (uncredited) | |
| Larry Lapointe | .... | electrician (uncredited) | |
Editorial Department | |||
| Henry Jaglom | .... | editorial consultant | |
| Marilyn Schlossberg | .... | post-production | |
| Stan Siegel | .... | assistant editor (as Stanley Siegel) | |
Music Department | |||
| Mike Deasy | .... | musician (uncredited) | |
Transportation Department | |||
| Lee Pierpont | .... | transportation | |
Other crew | |||
| Joyce King | .... | script supervisor | |
| Tony Vorno | .... | location manager | |
| Dan Haggerty | .... | motorcycle builder (uncredited) | |
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In this counterculture film, we have a spaced-out trio of Peter Fonda, Dennis Hopper, and a funny Jack Nicholson tooling down the "high"way, on motorcycles and "stuff", en route from L.A. to Mardi Gras. As artistic expression during an angry era of war and social change, the film communicates a powerful philosophy, in lieu of a complex plot.
Most scenes take place outdoors, in the American South and Southwest. Laszlo Kovacs' adroit cinematography, combined with an expansive soundtrack, hippie lingo, and "cool" clothes, convey the film's underlying message of individual freedom and nonconformity. The film is significant in that it was one of several successful 60's films made by individuals outside the traditional Hollywood studio structure. As such, "Easy Rider" broke new ground in film-making.