In this revisionist drama, the film delves into the family lineage of Wyatt Williams, the character made famous by Peter Fonda in the original Easy Rider Movie. Centering around the ... See full summary »
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
At first gas station attendant Poet is happy when the rockers gang "Hell's Angels" finally accepts him. But he's shocked when he learns how brutal they are - not even murder is a taboo to ... See full summary »
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local ... See full summary »
Richmond L. Aguilar
The 1962 1200 cc Harley's driven by the main characters in the film were actually purchased from the Los Angeles Police department. Harley-Davidson refused to provide free bikes for the film because "The protagonist were outlaws and they thought it was bad for their image." according to an article that appeared in the June 2005 edition of the History Channel magazine. See more »
The scene just before Wyatt throws away his watch is a mirror image. The bike appears to be leaning to the right on the kickstand (instead of the left) and his jacket has stripes down the right side but in the rest of the movie they're down the left side. See more »
Stranger on the Highway:
[giving Wyatt some LSD]
When you get to the right place, with the right people, quarter this. You know, this could be the right place. The time's running out.
Yeah, I'm, I'm hip about time. But I just gotta go.
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Too often this film is relegated to retro documentaries and cheap nostalgia for an era too often reduced to its superficial artifacts (flower power, popular music).
I was born in 1972, three years after this film was made, but the themes in it are still relevant and important to me. Maybe I'm the last of a certain kind of American; someone wondering about what's still possible in the USA, and searching for the realized potential of the American Dream. Perhaps what has changed since this film was released is that freedom - that is, real freedom, just doesn't matter as much to people as it once did. Self-enslavement is a popular past-time for today's numb middle class; a group of people who, I am convinced, do not dream when they sleep.
This movie defined the road film genre, even though it was not the first of its kind. I owe a debt of gratitude to Fonda, Nicholson, and Hopper for pointing out a very real truth about America and its often twisted approach to "freedom." By any standard, this is a film which should not be missed. It is a film I wish I had written myself.
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