Dzhamiliya lives in a kirghizian village. She follows their parents' orders when she marries a man without loving him. Then World War II breaks out and her new husband has to leave the ...
See full summary »
Story of a dilemma between a woman's love and her logic. Asya, a young girl with a strict mother, meets Ilyas who is a womanizer city man, and they quickly fall in love. They get over the ... See full summary »
Soviet Union, near the Chinese border, 1923. A stranger has just come in this little country village. He is a teacher, sent by the Communist Party to teach the ignorant masses. But the ... See full summary »
The judge in a Danish town sees his illegitimate daughter facing a trial for the murder of her newborn child, and is rather sure that she will be sentenced to death. She became pregnant ... See full summary »
Carl Theodor Dreyer
Dzhamiliya lives in a kirghizian village. She follows their parents' orders when she marries a man without loving him. Then World War II breaks out and her new husband has to leave the village. While being alone Dzhamiliya meets the returning soldier Daniyar and falls in love with him. Written by
Mirko Thiessen <firstname.lastname@example.org>
Another underrated masterpiece after Chinghiz Aitmatov
I do remember quite vividly having seen this film in black and white on TV, around 1970 I was a teenager at the time and never forgot that enigmatic title, "Dzhamilya". As I happened to read Chinghiz Aitmatov's original novel, a few years ago, every single page of it reminded me the stunning visuals of the whole movie. In his foreword to the book, French writer Louis Aragon described "Dzhamilya" as perhaps the most beautiful love story ever told... So there's no real surprise that I probably fell a bit in love, at age 14, of the young leading actress, Natalya Arinbasarova, Andrei Konchalovsky's wife, who had already used her, a couple of years before, in his directorial debut, "The First Teacher" (1966), after a story by the same author and also set in the remote Kirghiz countryside, near the Chinese border another jewel for the audience who are not afraid of anthropological truth in film and prefer poetic inspiration to action movies. There's definitely something of both Andrei Tarkovsky's and Terrence Malick's visions about these two underrated Russian masterpieces of the late 1960s, i.e. "Dzhamilya" and "The First Teacher" (which I strongly recommend to see as well).
5 of 5 people found this review helpful.
Was this review helpful to you?