In 1909, when young Paiute Indian Willie Boy returns to his California reservation to be with Lola, whose father disapproves of him, a killing in self defense takes place, triggering a massive man hunt for Willie.
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A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
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David Chappellet is a mean-spirited skier, who profits from another skier's injury to gain a spot on the American Olympic team. His roommate sums up his goals when he observes of David, "He's not for the team, and he never will be"; but precisely who the David is that David is so fiendishly striving for we're never to learn. He develops a short-lived relationship with Carole Stahl, a glamorous European woman even more capricious than himself. Chappellet's identity trouble are exacerbated by the fact that he is an "Event" as well as a personality; and more astute minds than his own have difficulty where the one leaves off and the other takes over. Director Michael Richie's ("The Candidate") feature film debut. Written by
After many years of catching brief scenes of this now semi-cult film, I finally watched it in its entirety. It is not a great film, but for film students, and fans of both Gene Hackman and Robert Redford, it's a must. The opening credits are delivered over scenes of a Super G skier flying down the mountain and feature a combination of stop action and over-cranked footage. The film quality is beautiful, and although the techniques now seem dated, they stand for what was cutting-edge editing at the time. Watching the opening, you feel like you're in for a great ride but are sadly let down by a staid script. Having said that, the film can sort of get a way with this (at least to a certain extent) because you've got such great actors playing the main roles of skier (Redford) and coach (Hackman). Both know how to exploit the economy of language and show a lot simply with body language and expression. (They must have realized they had to with this script.) Add to that fact, that the character Redford is playing - a vainglorious Super G racer named David Chappellett, probably wouldn't have much to say.
Ultimately, the film serves as cinematic commentary on how fleeting success is in a sport like skiing, as well as the shallowness shown by both the press that cover the sport, and the women that covet the skiers.
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