5.9/10
323
6 user 13 critic

Il dolce corpo di Deborah (1968)

A young newlywed couple from America returns to Geneva to visit Marcel's home town. Once there he is informed of his former lover's suicide and in turn is subjected to threats that accuse ... See full summary »

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Cast

Credited cast:
...
Deborah
...
Marcel
Ida Galli ...
Suzanne Boileau (as Evelyn Stewart)
George Hilton ...
Robert Simack
...
Philip
Michel Bardinet ...
Police Commissioner
Valentino Macchi ...
Garagista
Mirella Pamphili ...
Telephone Clerk (as Mirella Panfili)
Domenico Ravenna ...
Doctor
Giuseppe Ravenna ...
Maitre d'Hotel
Renato Montalbano ...
Telephone Man
Rest of cast listed alphabetically:
Silvio Klein ...
Man at the boxing match
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Storyline

A young newlywed couple from America returns to Geneva to visit Marcel's home town. Once there he is informed of his former lover's suicide and in turn is subjected to threats that accuse him of being responsible for her death and further, threaten his new fiance's life. George Hilton plays a peculiar neighbor with voyeuristic tendencies who has an obsession with Deborah. Written by ez

Plot Summary | Add Synopsis

Taglines:

Warm eyes- cold knife. Sweet body- bitter revenge. See more »


Certificate:

R | See all certifications »
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Details

Country:

|

Language:

Release Date:

20 March 1968 (Italy)  »

Also Known As:

The Body  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Quotes

Marcel: You're so delicious and I'm always so hungry.
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Soundtracks

Molto tempo fa
Music by Nora Orlandi
Sung by Paola Orlandi
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User Reviews

 
THE SWEET BODY OF DEBORAH (Romolo Guerrieri, 1968) **
19 February 2010 | by (Naxxar, Malta) – See all my reviews

Carroll Baker made several excursions to Italy throughout the late 1960s and 1970s, notably a series of erotic gialli; this was the first of them and, though a rather inauspicious beginning, several that followed (even those made by other hands, such as Sergio Martino – actually serving on the film under review as Production Manager!) can be seen to have adhered pretty closely to the formula unveiled here. Though contributing to the low rating was the atrocious sound quality – which not only seemed to have inherent hiccups (whereby lines get repeated every so often) but the English dialogue track featured a few unaccountable 'intrusions' of Italian and French! – the movie itself is a mainly listless affair which contrives to wake up only during the last 20 minutes (with the expected bevy of improbable twists and turns)!! To be fair, I was drawn to this principally by the notable cast – which also includes Jean Sorel (who followed his career highpoint, Luis Bunuel's BELLE DE JOUR [1967], with a number of gialli: for the record, he and director Guerrieri would subsequently collaborate on the infinitely more rewarding THE DOUBLE [1971]) and, likewise all genre stalwarts, George Hilton (who eventually rose to protagonist status under Martino's guidance), Luigi Pistilli and Evelyn Stewart. To go back to the erotic theme at the core of these type of films (perhaps to make up for the frankly tedious plots), this first entry may have seemed pretty risqué at the time but certainly feels tame when compared to later examples (not necessarily those made by the group of people already mentioned).


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