5.3/10
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4 user 2 critic

I diavoli della guerra (1969)

PG | | War, Drama | 1972 (USA)
A German Captain and American Captain help each other survive the North African desert during WWII. They meet again a year later during combat operations in France.

Director:

(as Bert Albertini)

Writers:

(screenplay), (story) | 3 more credits »
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Cast

Credited cast:
...
Capt. George Vincent
...
Heinrich Meinike
...
Col. James Steele
...
Jeanine Raush
Enrique Ávila ...
Franz Kelner
Raf Baldassarre ...
Sheik Feisel
Claudio Biava ...
Sgt. Kelp
Federico Boido ...
Willy Wendt (as Rick Boyd)
...
Michel Duffy
Frank Braña ...
Peter Kolowsky
Massimo Righi ...
Bill Harley (as Max Dean)
Paolo Giusti ...
(as Paul Just)
...
Smith (as Rudy Romans)
Julio Tabernero
Rest of cast listed alphabetically:
Luis Barboo ...
Ally commander
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Storyline

A German Captain and American Captain help each other survive the North African desert during WWII. They meet again a year later during combat operations in France.

Plot Summary | Add Synopsis

Genres:

War | Drama

Certificate:

PG | See all certifications »
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Details

Country:

|

Language:

Release Date:

1972 (USA)  »

Also Known As:

A Guerra dos Demônios  »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Connections

Edited from The Battle of El Alamein (1969) See more »

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User Reviews

 
Pretty Good Italian War Movie
7 February 2003 | by (St. Davids, Pennsylvania, USA) – See all my reviews

I came across this film quite unexpectedly, and boy was I glad I picked it out! It's one of the better Italian war films I've seen, with a good cast and very interesting plot line.

North Africa, 1943: a German security team, headed by a loyal Nazi officer (Venantino Venantini) pursues an American commando unit led by an experienced Captain (Guy Madison). The two units end up joining forces in order to cross the desert. Venantini eventually frees his captives, but vows to kill them if they ever meet again. Lo and behold, a year later, Madison is sent to rescue a British intelligence officer (Anthony Steel) who's being held in Venantini's base.

The film contains a slew of familiar European actors that one familiar with the genre will instantly recognize. American tough guy Guy Madison has appeared several Italian-made war films including A Place in Hell, Hell in Normandy, The Battle of the Last Panzer and Hell Commandos. Venantini, likewise, had a small role in Anzio and a cameo in Lenzi's Battle Force. Both men are incredibly good actors and it really shows --look at Venantini's face when he allows Madison to escape! It's almost as though neither were acting and REALLY were friends. (Perhaps they actually were off the set?) Anthony Steele has a really small role as a British intelligence officer, but it's important to the plot and he plays the role quite convincingly. Frank Brana, Massimo Righi, Giuseppe Castellano and Federico Boido all have minor and almost unrecognizable roles as American and German soldiers. John Ireland (The Dirty Heroes) appears in one really quick scene near the beginning as an American officer, and Tom Felleghy (Kill Rommel!) is on for about 2 seconds longer as another American officer.

The combat scenes are actually quite sparse. The first long sequence is a familiar firefight, involving a chase through some ruins is well-done but doesn't involve anything spectacular. The big tank battle in the middle of the desert is very well filmed, but unfortunately the Germans and Americans use the same type of tanks. The final combat scene in which an American commando units mounts a rescue is very reminiscent of The Dirty Dozen and Five for Hell; in fact, I think some modified sets from Five for Hell were used during the said final, climactic combat scene.

The cinematography is quite striking. The African desert is appropriately bleak and and the scenes set in France have a ring of authenticity to them, right down to the thick pine trees and snow. The musical score is said to be written by Stelvio Cipriani. It's a perfect genre-fitting theme, reminiscent of Francesco de Masi's music for Eagles over London. Unfortunately, some of Cirpriani's score uses clips from The Battle of El Alamein which are very noticeably lifted without any modification.

I saw this as a dub from an Australian videotape. The picture quality was average, with plenty of scratches and grain as well as the expected faded colors. The pan and scanning was fine. The credits are full of pseudonyms, so don't be surprised if you don't recognize any of the actors names. (Venantino Venantini is Van Tenney; Renato Romano is Rudy Romans and so forth.) For a great script, strong characters, fine editing Renzo Lucidi and some good combat scenes, this movie is definitely one of the better Italian "human" looks at World War II.


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