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The Devil by the Tail (1969)
"Le diable par la queue" (original title)

M  -  Comedy  -  7 February 1969 (France)
6.8
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Ratings: 6.8/10 from 349 users  
Reviews: 4 user | 1 critic

A Marquise who lures motorists to her hotel by sabotaging their cars gets more than she bargains for when one guest turns out to be a bank robber on the run

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(scenario and dialogue), (decoupage), 1 more credit »
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Title: The Devil by the Tail (1969)

The Devil by the Tail (1969) on IMDb 6.8/10

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Cast

Complete credited cast:
...
Le baron César Maricorne
Madeleine Renaud ...
La marquise
...
La comtesse Diane
...
Le comte Georges
...
Jean-Jacques Leroy-Martin, le "play-boy"
Clotilde Joano ...
La comtesse Jeanne (La cousine pianiste)
Claude Piéplu ...
Monsieur Patin (Le client assidu)
Tanya Lopert ...
Cookie (La minette)
...
Amélie (La jeune baronne)
Xavier Gélin ...
Charlie (Le petit garagiste)
Jacques Balutin ...
Max, un gangster
Pierre Tornade ...
Schwartz, un gangster
Jeanne Berdin ...
Mme Passereau (as Janine Berdin)
Charles Mallet ...
Le commissaire
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Storyline

A Marquise who lures motorists to her hotel by sabotaging their cars gets more than she bargains for when one guest turns out to be a bank robber on the run

Add Full Plot | Add Synopsis

Plot Keywords:

french countryside | bicycle

Taglines:

He told them where to go...and they flipped!

Genres:

Comedy

Certificate:

M | See all certifications »
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Details

Country:

|

Language:

Release Date:

7 February 1969 (France)  »

Also Known As:

The Devil by the Tail  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)
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User Reviews

 
Lighthearted and innocent
26 December 2004 | by (Ancient Thebes) – See all my reviews

In director Philippe de Broca's vast production this is probably the most underrated effort: almost fallen into oblivion (no DVD out) this movie is a gem of wit and innocence. You have to accept the utter futility of the plot and the impossibility to believe the twists, to enjoy the grace of youth displayed by Marthe Keller (the films constantly captures her long, naked, legs as she runs or rides a bike in the French countryside), the wonderful comic performances by Marielle and Rochefort, the consummate acting of Madeleine Renaud and the serene charm of Montand.

Though extremely lighthearted and quick-paced, the film manages to be poignant thanks to the superb score by Delerue (De Broca said that he would like the piano theme he composed to be played at his own funeral). What makes this film so special for me is the feeling of freedom that radiates from the characters as they move about in this tale, completely separated from social or political issues (remember the film was made in 1968). They manage to convey innocence while frantically pursuing love, happiness and enjoying themselves.


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