During the Civil War, Josiah Galt, a former parson, and his sons David, Jacob and Adam, become a gang of bandits who plunder, rob and rape for pleasure. Disgusted by the massacre of the ... See full summary »

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Cast

Cast overview, first billed only:
...
David Galt
...
Laura (his wife)
Benjamin Edney ...
Pauly (his son)
...
Parson Josiah Galt
Sheila Burrell ...
Emily Galt
...
Jacob Galt
...
Adah (his girl)
...
Adam Galt
Kenneth Cope ...
Carlin
Patrick Holt ...
Haller
Christopher Malcolm ...
Gregg
John Clark ...
Todd
...
Marshal Kilpatrick
...
Sheriff Lacey
David Thomson ...
Deputy Tate (as David Thompson)
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Storyline

During the Civil War, Josiah Galt, a former parson, and his sons David, Jacob and Adam, become a gang of bandits who plunder, rob and rape for pleasure. Disgusted by the massacre of the whole population of St. Thomas, Kansas, David drops out of the gang and joins his wife Laura. After their son Pauly was born, David and Laura settle down in Chilon, Texas. A few years later, Galt's gang come there with a view to robbing the local bank. Written by Guy Bellinger

Plot Summary | Add Synopsis

Taglines:

On Sundays they hardly ever kill anybody!

Genres:

Western

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

28 February 1969 (West Germany)  »

Also Known As:

Desperados  »

Company Credits

Production Co:

 »
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Technical Specs

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Benjamin Edney receives an "introducing" credit. He is Sylvia Syms' real-life son. See more »

Goofs

Quantrill's Raiders, a gang of Civil War guerrillas, are using Colt Peacemaker pistols, a weapon that wasn't invented until after the Civil War had ended. See more »

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User Reviews

Strange on the Range or Daddy Dearest
28 July 2004 | by (Cincinnati, OH) – See all my reviews

What could have been an interesting tale of marauding renegade Confederates out for revenge becomes a slapdash, tawdry mess of a film. Ringleader Palance (a former parson!) and his sons Edwards, Maharis and Roberts, along with a huge gaggle of violent rebels blaze a path across the southwest frontier robbing, raping and burning anything in their midst. It's all because their own loved ones were brutalized when they were out killing Union soldiers on a raid. Finally, Edwards decides he's had enough and he and his wife (Syms) start over in a new town with an assumed name. They also have a son. However, it's only a matter of time before the relentless Palance and his band of un-merry men make their way to this heretofore quiet town. Edwards (his svelte, muscular days as a posing strap model long behind him) gives an exceedingly wooden performance. His character's motivations rarely make sense because of the weak script and because it's never really clear what he's thinking! Outfitted with Elvis-style porkchop sideburns, he mostly stares blankly and expressionless at the events around him (unless constipation can be considered an expression.) At the other end of the spectrum is Palance, who mercilessly overacts with an abandon not likely to be found anywhere outside the movie "Mommie Dearest". His ungodly performance has to be seen to be believed. Inexplicably drawing out certain words and syllables, screaming at the top of his lungs and throwing over-the-top tantrums every few minutes, he is a profound embarrassment. Maharis is given little to do as the middle son, but Roberts, as the youngest son, gives Palance a run for his money in the ham acting department. It is excruciating to watch Roberts mug and cajole incessantly through the film. O'Mara pops up rather briefly as a lame hooker (!) who hobbles around everywhere when she ought to be doing her job. She finally gets a little more to do near the end. Brand turns up as the rotund, but caring Marshall of the town Edwards has settled in. He pays for his friendliness with a sound beating. The lovely and talented Syms is FAR out of place in a movie this crass and tasteless. She provides the one ounce of class that the picture has. The sets look like something that Bonanza would reject as inauthentic, the camerawork is distractingly busy, the editing is choppy to say the least and the music is alternately abysmal and inappropriate. On good thing the film has going for it is a series of pretty decent action sequences. Some of the raiding is arrestingly done and there's a nifty scene onboard a moving train. The dynamic of the son turning against the father and having a fateful reunion could have been a great one, but unfortunately there were too many weak elements involved to sell it properly. Another oddity is the prevalence of British actors in the cast (playing Americans.)


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