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Dernier domicile connu (1970)

Police inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas... See full summary »

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Cast

Cast overview, first billed only:
...
L'inspecteur principal Marceau Leonetti
...
Jeanne Dumas
...
Greg
...
Jacques Loring
Alain Mottet ...
Frank Lambert
Béatrice Arnac ...
Silvia
Guy Heron ...
Soramon
Albert Dagnant ...
Arnold
Monique Mélinand ...
Mme Loring
Marcel Pérès ...
Lenoir
Germaine Delbat ...
Madame Lenoir
Hervé Sand ...
Gravel
Pascal Gillot
François Jaubert ...
Le braqueur
Régine Lovi
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Storyline

Police inspector Léonetti, a tough, efficient policeman, has been sent to a second-rate police station after being reprimanded. There he is given a partner, young and beautiful Jeanne Dumas. The duo are soon assigned a very difficult mission: to find a man whose evidence is instrumental in convicting a murderer. They start searching throughout Paris... Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Crime | Thriller

Certificate:

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Details

Country:

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Language:

Release Date:

25 February 1970 (France)  »

Also Known As:

Címe ismeretlen  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
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Did You Know?

Soundtracks

Jeanne Et Marceau
Written And Performed by François de Roubaix And Orchestra
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User Reviews

 
Beautiful and well paced
22 July 2010 | by (Paris) – See all my reviews

First of all, this is the first time I have watched a Lino Venture movie, so seeing it with new eyes has perhaps conferred it a special shine. But it is truly a very beautiful movie shot in a 1960s Paris in which only the cars have changed over the years. But the beauty also applies to the cast of actors and to their sensitive acting.

Lino Ventura is the fallen cop who doesn't bare a grudge and is dedicated as ever to his job, landing him into a painful fist fight with some thugs, and dealing chivalrously with his bright-eyed assistant Marlène Jobert who truly delivers as a newcomer to the job of crime fighting, aptly portraying both excitement and disillusion. The supporting cast, good and evil, deliver very well and accurately depict Paris' diversity (often through gritty character depictions and photography) 40 years back.

The plot flows well, sometimes interspersed with dream sequences which are beautifully rendered. Never cheesy (like so many movies of the time), well paced and acted, truly a great cop movie which has aged very gracefully.


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