In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in ... See full summary »
Sam Burton's second wife Neddy is Indian, their son Pacer a half-breed. As struggle starts between the whites and the Kiowas, the Burton family is split between loyalties. Neddy and Sam are... See full summary »
Set in Mexico, a nun called Sara is rescued from three cowboys by Hogan, who is on his way to do some reconnaissance, for a future mission to capture a French fort. The French are chasing ... See full summary »
In the turn-of-the century Texas town of Cottownwood Springs, marshal Frank Patch is an old-style lawman in a town determined to become modern. When he kills drunken Luke Mills in self-defense, the town leaders decide it's time for a change. That ask for Patch's resignation, but he refuses on the basis that the town on hiring him had promised him the job for as long as he wanted it. Afraid for the town's future and even more afraid of the fact that Marshal Patch knows all the town's dark secrets, the city fathers decide that old-style violence is the only way to rid themselves of the unwanted lawman. Written by
Jim Beaver <firstname.lastname@example.org>
Star Richard Widmark and original director Robert Totten had "artistic differences," and Totten was replaced by Don Siegel. When the film was completed, Siegel, saying that Totten directed more of the film than he did, refused to take screen credit for it, but Widmark didn't want Totten's name on it. A compromise was reached whereby the film was credited to the fictitious "Alan Smithee" (originally to be called Al Smith, but the DGA said there had already been a director by that name), thereby setting a precedent for directors who, for one reason or another, did not want their name on a film they made. See more »
It's awful seeing a man kill himself. One minute he's there... alive... then he's dead. Blood and the smell of powdersmoke. And it's all over and done with. It's awful!
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Started by Robert Totten, then taken over by Don Siegel at the insistence of Richard Widmark (Totten and the star "clashed," as they say), "Death of a Gunfighter" wound up credited to the fictitious and now somewhat famous Alan Smithee. This intriguing Western remains the elusive director's best work, thanks, no doubt, to the proven skills of Siegel and another terrific Widmark performance (the director and star had previously collaborated on "Madigan" a year earlier). As sheriff Widmark's love interest, Lena Horne hasn't much to do, but she looks good doing it.
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