Hounded by the police on charges of inflammatory writing, the once handsome Marquis De Sade seeks refuge in an abandoned family mansion. This colorful movie depicts DeSade's life from ...
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A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.
Based on the true story of the notorious Marquis de Sade. In 18th century Paris, an innocent beauty's search for her missing sister leads her into the deadly sensuous realm of the infamous ... See full summary »
An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and ... See full summary »
A Cambridge astrophysicist on routine business in London finds it frustratingly difficult to return a wallet of money to an Eastern European friend, a task complicated by a puzzling if scatterbrained society girl.
Justine is a nubile young virgin cast out of a French orphanage and thrust into a depraved world of prostitution, predatory lesbians, a fugitive murderess, bondage, branding, and one ... See full summary »
Hounded by the police on charges of inflammatory writing, the once handsome Marquis De Sade seeks refuge in an abandoned family mansion. This colorful movie depicts DeSade's life from childhood to manhood. A life infamous for erotic behavior, going from woman to woman, seeking a love that eludes him. Written by
I wish they had saved the German version of this one, but alas, only the AIP version seems to turn up, though most versions are barely longer than the one USA network ran in their infancy. What was once given an "X" rating, barely rises above PG-13 standards for this new millennium. Dullea, fresh from "2001", is out of place amidst the tame exploitation, but gives it a good try. John Huston, in the midst of a long string of aging weirdo roles, steals the show easily. The script by Richard Matheson, is well done, but manhandled by the multiple directors different approaches, and the different exploitation requirements of the various producers. It easily extends the normal AIP formula, but falls short of it's goal to cross into more "Adult" film-making. Not worthless, but not all that thrilling, with much "dead Air"
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