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Crossplot (1969)

PG-13  |   |  Thriller  |  1970 (USA)
5.2
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Ratings: 5.2/10 from 422 users  
Reviews: 10 user | 5 critic

A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »

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(additional scenes & dialogue), (screenplay), 1 more credit »
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Title: Crossplot (1969)

Crossplot (1969) on IMDb 5.2/10

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Cast

Cast overview, first billed only:
...
Gary Fenn
...
Jo Grinling
Alexis Kanner ...
Claudie Lange ...
Marla Kugash
Derek Francis ...
Sir Charles Moberley
Ursula Howells ...
Maggi Thwaites
...
Chilmore
Francis Matthews ...
Ruddock
Dudley Sutton ...
Warren
Mona Bruce ...
Myrna
Veronica Carlson ...
Dinah
Michael Culver ...
Jim
...
Celia
Tim Preece ...
Sebastian
Norman Eshley ...
Athol
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Storyline

A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some dangerous killers. Written by Jonathon Dabell <J.D.@pixie.ntu.ac.uk>

Plot Summary | Add Synopsis

Taglines:

This playboy has killer instincts. See more »

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some nudity, drug content and brief violence | See all certifications »
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Details

Country:

Language:

Release Date:

1970 (USA)  »

Also Known As:

Alta traição  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)
See  »
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Did You Know?

Trivia

The film was Roger Moore's return to cinema movies after seven years playing Simon Templar in the television series The Saint (1962) (this does not include The Saint (1962) TV episode compilation cinema movie The Fiction Makers (1967) released the previous year). See more »

Goofs

When Gary and Marla are being chased by the bad guys in the black sedan, Gary manages to turn his car around and go in the opposite direction, yet additional long shots show they are going in their same original direction. See more »

Soundtracks

Aide de Camp
(uncredited)
Music by J. Ord Hume
De Wolfe Music Ltd
See more »

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User Reviews

 
Good helicopter sequence
26 April 2004 | by (Los Angeles, USA) – See all my reviews



I must confess that I watched this movie with the sound down, whilst chatting on the phone, but the helicopter chase across the English countryside was fabulous.

Roger Moore was driving a vintage/veteran car across farmland, and the chopper was skimming across the wheat fields, only two or three feet from the ground.

Most impressive!

The opening of the movie was reminiscent of 28 Days later, in that there was a curiously quiet Westminster Bridge, with the Houses of Parliamnet and Big Ben in view. This was evidently very early on a midsummer morning for it to be so bereft of people and traffic, but to be so well lit.

Only watchable for the helicopter sequence, which should be a classic.


5 of 24 people found this review helpful.  Was this review helpful to you?

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