5.4/10
506
12 user 4 critic

Crossplot (1969)

PG-13 | | Thriller | 1970 (USA)
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »

Director:

Writers:

(additional scenes & dialogue), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Gary Fenn
...
Jo Grinling
...
Tarquin
...
Marla Kugash
Derek Francis ...
Sir Charles Moberley
Ursula Howells ...
Maggi Thwaites
...
Chilmore
...
Ruddock
...
Warren
Mona Bruce ...
Myrna
...
Dinah
...
Jim
...
Celia
Tim Preece ...
Sebastian
Norman Eshley ...
Athol
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Storyline

A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some dangerous killers. Written by Jonathon Dabell <J.D.@pixie.ntu.ac.uk>

Plot Summary | Add Synopsis

Taglines:

This playboy has killer instincts. See more »

Genres:

Thriller

Motion Picture Rating (MPAA)

Rated PG-13 for some nudity, drug content and brief violence | See all certifications »
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Details

Country:

Language:

Release Date:

1970 (USA)  »

Also Known As:

Vestido para matar  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

This cinema movie was made by a number of production personnel who had worked on star Roger Moore's The Saint (1962) television series. See more »

Goofs

When executive Gary Fenn is questioning his staff about who planted a beautiful picture of an unknown model in his file, you can clearly see the shadow of the boom microphone on his chest. See more »

Quotes

Tarquin: [Having been shot] It's nothing much. It's only serious.
See more »

Soundtracks

Children's Party
(uncredited)
Music by Hugo de Groot
De Wolfe Music Ltd
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User Reviews

 
Good helicopter sequence
26 April 2004 | by (Los Angeles, USA) – See all my reviews



I must confess that I watched this movie with the sound down, whilst chatting on the phone, but the helicopter chase across the English countryside was fabulous.

Roger Moore was driving a vintage/veteran car across farmland, and the chopper was skimming across the wheat fields, only two or three feet from the ground.

Most impressive!

The opening of the movie was reminiscent of 28 Days later, in that there was a curiously quiet Westminster Bridge, with the Houses of Parliamnet and Big Ben in view. This was evidently very early on a midsummer morning for it to be so bereft of people and traffic, but to be so well lit.

Only watchable for the helicopter sequence, which should be a classic.


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