A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Young Carmilla is jealous of her friend's engagement, and her obsession leads her to the tomb of a female vampire. The vampire possesses her and leads her to kill and terrorise the ... See full summary »
Count Karnstein sends for a doctor to help his sick daughter Laura. Her nurse believes she is possessed by the spirit of a dead ancestor;Carmilla. A young woman becomes intrigued by the ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some dangerous killers. Written by
Jonathon Dabell <J.D.@pixie.ntu.ac.uk>
When Gary and Marla are being chased by the bad guys in the black sedan, Gary manages to turn his car around and go in the opposite direction, yet additional long shots show they are going in their same original direction. See more »
Aide de Camp
Music by J. Ord Hume
De Wolfe Music Ltd See more »
I must confess that I watched this movie with the sound down, whilst chatting on the phone, but the helicopter chase across the English countryside was fabulous.
Roger Moore was driving a vintage/veteran car across farmland, and the chopper was skimming across the wheat fields, only two or three feet from the ground.
The opening of the movie was reminiscent of 28 Days later, in that there was a curiously quiet Westminster Bridge, with the Houses of Parliamnet and Big Ben in view. This was evidently very early on a midsummer morning for it to be so bereft of people and traffic, but to be so well lit.
Only watchable for the helicopter sequence, which should be a classic.
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