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Cherry, Harry & Raquel! (1970)

X | | Action, Comedy | 1972 (Belgium)
Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana. Harry makes love to Raquel (a prostitute) ... See full summary »



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Complete credited cast:
Larissa Ely ...
Linda Ashton ...
Bert Santos ...
Frank Bolger ...
Mr. Franklin (as Franklin H. Bolger)
Soul (as Astrid Lillimor)
Michelle Grand ...
John Milo ...
Michaelani ...
Doctor Lee
Robert Aiken ...
John Koester ...
Gas Station Attendant
Daniel Roberts ...
Delivery Boy


Harry (a corrupt sheriff) and his Chicano deputy hunt an Apache who is about to go to the authorities with the news Harry is smuggling marijuana. Harry makes love to Raquel (a prostitute) and Cherry (a nurse). The women also have an erotic encounter between themselves. Harry's boss gets it off with Raquel and Cherry, too. Uschi Digard romps around the desert naked. Written by <pablo@ihug.co.nz>

Plot Summary | Plot Synopsis


Busting Out...


Action | Comedy


X | See all certifications »

Parents Guide:





Release Date:

1972 (Belgium)  »

Also Known As:

Megavixens  »

Box Office


$90,000 (estimated)

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


This is the first appearance of Charles Napier in a Russ Meyer film. He ultimately appeared in three other films for Meyer: Beyond the Valley of the Dolls (1970) and The Seven Minutes (1971) (in which he kept his clothes on) and Supervixens (1975) (in which his frontal nudity was simulated with a huge rubber phallus). See more »


Flashback scene to a late Forties/early Fifties grocery store was filmed in late Sixties supermarket parking lot, complete with late model cars. See more »


Raquel: When are you gonna introduce me to Cherry? I bet we have a lot in common.
Harry: I don't like women messing around with women. It's un-american.
See more »


Featured in Twisted Sex Vol. 15 (1996) See more »


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User Reviews

An uncharacteristic disappointment from Russ Meyer
20 March 2008 | by (Beverley Hills, England) – See all my reviews

Russ Meyer's career got raunchier as it went on and his 'more serious' early films as well as his comical later efforts both have their plus points. Cherry, Harry & Raquel comes almost in-between the two sides of Meyer's career and almost feels like a dress rehearsal for the likes of Up and Supervixens, as we get all the raunchiness of Meyer's latter day films but it's incredibly poorly strung together and unfortunately, unlike the later efforts, the result is a film that has a handful of interesting scenes, as well as a bucket load of rubbish and boring ones. At times it feels like Meyer shot a load of footage and just stuck it together. As the title suggests, the plot focuses on three main characters - unsurprisingly called Cherry, Harry and Raquel. Harry is a police sheriff with a sideline in drug smuggling, and a local apache has got wind of this, leading Harry to track him down. Harry also has an eventful love life, with no less than two luscious and buxom beauties to choose from - there's Raquel, a prostitute, and Cherry; a nurse.

Despite not being among his best work, Cherry, Harry and Raquel does feature Meyer's trademark style. We've got plenty of sex and nudity, as well as some fairly vicious violence, some good dialogue and Meyer's trademark fast editing. Most of the film takes place in the desert and this provides a good setting for the movie, and also helps to give the film it's most memorable moments - namely, Uschi Digard posing naked against desert backdrops. This is the first Russ Meyer film to star Charles Napier - the memorable actor who would go on to steal the show in Meyer's 1975 masterpiece Supervixens. He's not as good here as he was in Supervixens; but the performance is something of a landmark as Napier was one of the first men to do a full frontal nude scene. Naturally, Meyer doesn't let his audience down with his choice of actresses; Larissa Ely and Linda Ashton are both great (especially unclothed) and their screen time together is one of the best moments of the film. Meyer often tried to give his films a point and it usually serves only in making his films sillier and more bizarre - and that is the case here too; although the ending monologue will provide some laughs. Overall, this is probably the worst Russ Meyer flick I've seen so far and despite some positive elements - there really isn't much to recommend it for.

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