Tom Jones, a maid's son adopted by the nobleman she worked for, now all grown up must run away from home when he is set up by his jealous cousin. He has several adventures and women on his way to town where his possible salvation awaits.
Curt Taylor is a convict and owes Phil Drexler the number 1 convict in the prison. Now to settle his debt Drexler sends Curt to be the secretary for Cartier Rand so that he can steal her ... See full summary »
Amongst the bomb-sites and dark alleys of postwar London Roy Walsh and his gang of juvenile delinquents waylay and rob old ladies. Without parental control from his war-widowed doting ... See full summary »
Betty Ann Davies
After a scientific experiment goes horribly wrong during a demonstration, a scientist finds himself trapped in an alternative reality that bears some similarities to our own, but also has ... See full summary »
A young wife is becoming very distraught over the fact that her husband, a secret service "spy" for England, has changed his mind about transferring away so that he can spend more time with... See full summary »
Hieronymus Merkin has recently turned 40, and is in the midst of preparing a film that details his life's history and development. Portraying himself as a marionette being controlled by an unseen puppet master, young Merkin is led away from the innocence of youth and into the waiting arms of one woman after another by Goodtime Eddie Filth. With Filth's guidance, Merkin steadily transforms into a self-centered womanizer, save only for the longing he feels for his one lost love, Mercy Humppe. As the producers of his life story scream for him to come up with an ending, Merkin must look back and decide what, if anything, he's learned from his experiences. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
When the film was originally released in 1969, some newspapers refused to advertise it, compelling cinephiles to call up their local theaters to learn the title. A few theaters even temporarily expanded their marquees to fit the entire title. Other theaters truncated the title to "Heironymous Merkin". See more »
The color of Thumbelina's ice-cream cone changes between brown and white and pink. See more »
You Hollywood people! If Van Gogh could see what you did to his life story, there goes the other ear. And if old Tootles Lautrec could see what you did to *his* life story, he'd punch you all in the knee.
See more »
There are no opening credits. All credits come at the end. The actors take a bow on a custom-made, pastel-painted, portable stage on a beach as their names are credited in jagged, psychedelic print. See more »
I've read some raves and some scathing reviews of this film. The reviewers seem wildly opposed.
What one should remember when viewing this work is the era when it was made. The world was a little different in the late '60s; the war in Vietnam was beginning to be opposed vehemently, nudity and profanity were being more tolerated in films, and a new era of permissiveness was dawning. Films that came out at this time were taking more "avante garde" chances, and there were as many misses as hits.
This film was a mixture of good and bad scenes, but never-the-less an interesting work. The humor in it is somewhat crude, and the music has neither enough polish, or conversely, edge to work completely.
I do remember being entertained by the film, and isn't that the bottom line? Trying to compare it to today's standards is not a valid comparison. No one would try to compare Chaplin's films with Eddie Murphy's. This work is one that will probably stay obscure, because it was more of an experiment than an expression.
Bottom line: A mixture of good and bad comedy, music and philosophy. See it for yourself and see if you can eke out a valid point of view.
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