| Photos (See all 13 | slideshow) |
| Walter Matthau | ... | Dr. Julian Winston | |
| Ingrid Bergman | ... | Stephanie Dickinson | |
| Goldie Hawn | ... | Toni Simmons | |
| Jack Weston | ... | Harvey Greenfield | |
| Rick Lenz | ... | Igor Sullivan | |
| Vito Scotti | ... | Señor Arturo Sánchez | |
| Irene Hervey | ... | Mrs. Durant | |
| Eve Bruce | ... | Georgia | |
| Irwin Charone | ... | Record Store Manager | |
| Matthew Saks | ... | Nephew | |
| rest of cast listed alphabetically: | |||
| Linda Burton | ... | Waitress (uncredited) | |
| Hy Chase | ... | 1st Waiter (uncredited) | |
| Don Furneaux | ... | Parcel Post Man (uncredited) | |
| Tani Guthrie | ... | Record Store Customer (uncredited) | |
| Lee Harris | ... | 3rd Waiter (uncredited) | |
| Merriana Henriq | ... | Waitress (uncredited) | |
| Peter Morrison Jacobs | ... | Bearded Young Man (uncredited) | |
| Rick Lamson | ... | Maitre D' (uncredited) | |
| Mary Jane Mangler | ... | Dancer (uncredited) | |
| Barbara Randolph | ... | Cigarette Girl (uncredited) | |
| Ralph Roberts | ... | 4th Waiter (uncredited) | |
| Lucy Saroyan | ... | Dancer (uncredited) | |
| Bob Stiles | ... | 2nd Waiter (uncredited) | |
| Sylvia Stone | ... | Gray-Haired Woman (uncredited) | |
| George Winters | ... | Mail Boy (uncredited) | |
Directed by | |||
| Gene Saks | |||
Writing credits | ||
| Abe Burrows | (stage play) | |
| Pierre Barillet | (play "Fleur de cactus") (as Barillet) and | |
| Jean-Pierre Grédy | (play "Fleur de cactus") (as Gredy) | |
| I.A.L. Diamond | (screenplay) | |
Produced by | |||
| M.J. Frankovich | .... | producer | |
Original Music by | |||
| Quincy Jones | |||
Cinematography by | |||
| Charles Lang | (director of photography) (as Charles E. Lang) | ||
Film Editing by | |||
| Maury Winetrobe | |||
Production Design by | |||
| Robert Clatworthy | |||
Set Decoration by | |||
| Edward G. Boyle | (as Ed Boyle) | ||
Costume Design by | |||
| Moss Mabry | |||
Makeup Department | |||
| John O'Gorman | .... | makeup supervisor: Ingrid Bergman | |
Production Management | |||
| William O'Sullivan | .... | executive production manager | |
Second Unit Director or Assistant Director | |||
| Anthony Ray | .... | assistant director | |
Art Department | |||
| Max Frankel | .... | property master | |
Sound Department | |||
| Whitey Ford | .... | sound | |
| Arthur Piantadosi | .... | sound | |
Costume and Wardrobe Department | |||
| Guy C. Verhille | .... | wardrobe: men (as Guy Verhille) | |
Editorial Department | |||
| Abe Lincoln Jr. | .... | assistant editor (uncredited) | |
Music Department | |||
| Jimmie Haskell | .... | orchestrator (uncredited) | |
| Jack Hayes | .... | orchestrator (uncredited) | |
| Hal Mooney | .... | orchestrator (uncredited) | |
| Leo Shuken | .... | orchestrator (uncredited) | |
Other crew | |||
| David Merrick | .... | stage producer: New York | |
| Miriam Nelson | .... | choreographer | |
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| Just Go with It | Something's Gotta Give | Rear Window | Mr. & Mrs. Smith | Maine Pyaar Kyun Kiya |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Cactus Flower is what I call a "pizza movie" -A personal favorite that never fails to satisfy. Perfect for an evening at home with a pizza. Knowing all the lines (and what lines!) by heart only enhances the enjoyment.
Since so many others here have retold the plot, I'll simply add the correction that Bergman's character, Miss Dickinson, was a nurse-receptionist, meaning she was a skilled nurse -and therefore an educated person -not "just" a receptionist.
Bergman's performance in this film -and the film itself- was largely dismissed at the time, but today's audiences will marvel at her range; not just the impeccable comic timing, but the ability to make us believe her character is unaware of her own feelings while revealing them so clearly to Toni and to us. While the general plot stretches credibility, Bergman's performance is compelling: honest and utterly believable.
Also a standout is Jack Weston's performance as the Matthau's old friend and co-conspirator, Harvey. No one could deliver a zinger like Weston, and I.A.L. Diamond's script gives him plenty. For example: "That's such a big, dirty, rotten lie it has class." Weston excelled at slightly seedy characters because he exuded a warmth that allowed you to forgive his characters' flaws.
The film is a fairly straight adaptation of the Abe Burrows play (which was itself adapted from a French play by Barillet and Gredy). On Broadway Matthau's role was played by Barry Nelson. Bergman's by Lauren Bacall, and Hawn's by Brenda Vaccaro. It ran for 1,234 performances (three years) and was nominated for two Tony Awards (Vaccaro and Burt Brinckerhoff, who played Igor).
For me, the film's score, written and adapted by the legendary Quincy Jones is another highlight. The main theme (A Time For Love Is Anytime) is performed by Sarah Vaughn over the opening and closing credits. It is also insinuated in different arrangements throughout the film, most notably as the romantic piano music underscoring Berman's speech to Hawn in the record store. Jones also created covers of popular songs from the period (To Sir With Love, I'm A Believer) for the night club scenes. As with all of the film's elements, there is a tremendous amount of talent, taste, and professionalism evident.
In my opinion, few modern romantic comedies can hold a candle to this classic. It's great to finally have it available on DVD. Time to call for a pizza...