Anna Kalman is a London based actress. She has been unable to find love in her life. The reason why she came home early from a vacation to Majorca fits into that theme, as the man she met ... See full summary »
All her life Englishwoman Gladys Aylward knew that China was the place where she belonged. Not qualified to be sent there as a missionary, Gladys works as a domestic to earn the money to ... See full summary »
In this adaptation of Françoise Sagan's best selling novel, Paula is a beautiful and highly successful 40-year-old businesswoman. She is deeply in love with Roger, her mature consort of ... See full summary »
A concert violinist becomes charmed with his daughter's talented piano teacher. When he invites her to go on tour with him, they make beautiful music away from the concert hall as well. He ... See full summary »
In the Fifteenth Century, France is a defeated and ruined nation after the One Hundred Years War against England. The fourteen years old farm girl Joan of Arc claims to hear voices from ... See full summary »
Francis L. Sullivan
Toni Simmons believes that the only reason her married lover won't leave his wife is because of the children. In truth, her lover, dentist Julian Winston, doesn't have any children. In fact, Julian doesn't even have a wife - he just tells women he does to avoid getting involved. When Julian does decide to take the plunge with Toni she insists on meeting the first wife and Julian enlists the aid of his long-time nurse/receptionist Stephanie Dickinson to play the part. Written by
Brenda Vaccaro was nominated for the 1966 Tony Award (New York City) for Supporting or Features Actress in a Drama for "Cactus Flower" as Toni. See more »
Toward the end of the movie, when Nurse Dickinson is straightening the waiting room and Señor Sanchez enters, she has on dark shoes. In a subsequent shot, she has on white shoes. See more »
[after they've observed Stephanie's prowess on the dance floor]
Everything you told me about your wife was true. She's not a lady, she's a barracuda!
Dr. Julian Winston:
I don't care to discuss it anymore.
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Ingrid Bergman, playing dentist Walter Matthau's faithful receptionist who harbors a little crush on her boss, is absolutely wonderful in this film. She handles the witty repartee in the script with aplomb and steals a terrific scene where she and Goldie Hawn talk in a record booth (Ingrid's monologue is a front, but her face tells you she believes in it with all her heart). Matthau is an odd choice for the leading man (he's too old for Goldie Hawn and too unrefined for Bergman, not to mention too unfocused to be a dentist), but I liked the way he tries hard to please Goldie and stumbles around trying to free himself from a lie. Hawn (who won a Supporting Oscar) is just as fresh and bubbly as she is today. This bedroom farce isn't terribly sophisticated (and faintly reminds one of "Any Wednesday" besides), but it's a welcome relief from the noisy, teen-oriented comedies churned out of present-day Hollywood. "Cactus Flower" is a lovely sigh! *** from ****
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