Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even. Written by
DrGoodBeat / edited by statmanjeff
After completing the Dollars trilogy (A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966)), Sergio Leone didn't want to do another western and began working on Once Upon a Time in America (1984); however, after the huge success of the Dollars Trilogy in the States in 1967, Leone wanted to produce films in the US and he began selling the idea for "Once Upon a Time in America", but studios wouldn't let him do it until he made another western for them. Eventually Leone decided to create another trilogy which begins with Once Upon a Time in the West (1968), develops into Duck, You Sucker (1971) and ends with Once Upon a Time in America. The ''Once Upon a Time'' trilogy, as it is often referred to, is effectively about "three historical periods which toughened America". See more »
At the very end of the movie, the camera pans back to show the complete scene of men working at the station. The train and carriage have come through the embankment 'cutting' and are passing through the new station. Then the scene cuts to a camera behind the 'cutting' and the train has only just passed through it. See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
There are few movies that can combine great directing, acting ,music, cinematography, and writing into one movie, but this one does. There are no weak points. Every scene is a piece of art. I know of no other film that affects the senses as this one. Henry Fonda said this was his favorite film and role. It's easy to see why. He created 1 of the great "bad guy" roles in history. In a side note, Leone wanted to put brown contacts in Fonda's eyes,("who ever saw a villain with blue eyes", Leone said), but Fonda wouldn't have it, and the effect is magic in the famous Leone close-ups. Bronson, Cardinale, and Robards are equally powerful, all have great lines and the camera loves them. Speaking of cameras, the visuals are stunning. There is nothing fancy about this movie. Raw power is what you see and feel. Simply the best western if not film ever made.
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