Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica, a man already on a quest to get even. Written by
DrGoodBeat / edited by statmanjeff
For the opening sequence where the three dusters waited for the train, filmmakers lightly coated the face of Jack Elam with jam and began filming close-ups while letting a fly out of a jar filled with flies, attempting to get Elam's reaction as one would land on his cheek. See more »
When Harmonica climbs down the ladder, only to meet Frank at the other end of a '45, we clearly see that the ladder is electro-welded to the wagon and the steps are also electro-welded to the legs of the ladder. A rather lousy welding job, by the way! The movie takes place around 1870. Electro-welding started during the '90s, but the method got practicable only in the 1920s and began to be commonly used in the late 1930s when the great navies (except for the Royal Navy) started to use the method for their first-line ships. The great leap forward came during WW2, when Liberty ships and many other vessels was electro-welded. See more »
Cattle Corner Station Agent:
Hey. Hey-hey-hey-hey, if you want any tickets, you'll have to go around, eh, to, eh, the front of, eh, eh... oooh, well, I s'pose it'll be all right. The hell am *I* doin' around here if they walk in and can do as they damn please?
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Sergio Leone's director credit swings down in an arc as if to stop the train. See more »
There are few movies that can combine great directing, acting ,music, cinematography, and writing into one movie, but this one does. There are no weak points. Every scene is a piece of art. I know of no other film that affects the senses as this one. Henry Fonda said this was his favorite film and role. It's easy to see why. He created 1 of the great "bad guy" roles in history. In a side note, Leone wanted to put brown contacts in Fonda's eyes,("who ever saw a villain with blue eyes", Leone said), but Fonda wouldn't have it, and the effect is magic in the famous Leone close-ups. Bronson, Cardinale, and Robards are equally powerful, all have great lines and the camera loves them. Speaking of cameras, the visuals are stunning. There is nothing fancy about this movie. Raw power is what you see and feel. Simply the best western if not film ever made.
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