Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Written by
French actor Robert Hossein, who was a good friend of Leone's, was originally to play Morton, but due to scheduling he was unable to take the part, and Gabriele Ferzetti was cast instead. See more »
When Harmonica climbs down the ladder, only to meet Frank at the other end of a '45, we clearly see that the ladder is electro-welded to the wagon and the steps are also electro-welded to the legs of the ladder. A rather lousy welding job, by the way! The movie takes place around 1870. Electro-welding started during the '90s, but the method got practicable only in the 1920s - and began to be commonly used in the late 1930s when the great navies (except for the Royal Navy) started to use the method for their first-line ships. The great leap forward came during WW2, when Liberty ships and many other vessels was electro-welded. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
I have recently commented on Leone's GBU and was intending on reviewing AFOD and FAFDM as well as this one - OUATITW, but after reading a number of the comments about these from all the avid fans on this great site, I will simply give you a short account of how these films have affected my life. I am 55years young and saw all these films on their first release in Sydney.(late '60's) They were cut, but it didn't stop me seeing the brilliance in them. I would imagine that a lot of the members of this site are much younger than myself and have only watched these films on DVD or TV quite recently. (Stood the test of time, eh!!) (WideScreen is a must for these.) Leone's films exhibit an idealism in art that surpassed his Hollywood models (eg: Ford). Although, at the time of creation, I doubt he would have thought he was. He simply had a vision.
From film to film he improved on this. Like most artists, I don't think he was too concerned with the financial gains that might or might not be realized.(This was probably his downfall). That these little films can impress all you younger fans so much says a lot about good taste and the sad lack of it in American films of recent times.
Great directors, like Leone, don't come along every day and it saddens me greatly to know he died before he was recognised for the genius he surely was. Morricone must be 75 now, soon we will loose him too. I am a successful composer in Australia and can tell you, without bias, that Morricone is in the top five best ever film composers just from these four films alone, if not one of the best composers in general (yes, this includes Stravinsky, Bartok, Debussy and Schoenberg.) of the 20th century. Eastwood is also reaching the end of his life and although I'm not a huge fan of his recent work, he is one of the last living greats. Without the inspirations put forth by these men, I might not still be writing and recording my music these days. Plenty of times I could have stopped when things got tough but all I had to do was revisit these gems of modern art to realise that greatness does still exhist , all you have to have is the love and desire and guts to make your visions a reality. Leone, Morricone and Eastwood: I salute you.
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