Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unaware... See full summary »
Gian Maria Volonté,
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by who? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Get-rich-quick subplots and intricate character histories intertwine with such artistic flair that this could in fact be the movie-to-end-all-movies. Written by
Sergio Leone made hundreds of references to films that influenced him. Some were quite obvious (like three men waiting for the train as in High Noon (1952)) and some were very subtle, like the choice of Woody Strode's sawed-off Winchester rifle, similar to the weapon Steve McQueen carried in the TV series Wanted: Dead or Alive (1958). McQueen referred to this unique weapon as a "Mare's Leg". See more »
Near the end of the film where 'Harmonica' shoots Frank, his hair appears to have grown significantly from earlier in the film. However, when he enters the house to tell Jill that he is leaving, his hair is short again - just minutes after killing Frank. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Sergio Leone's director credit swings down in an arc as if to stop the train. See more »
The "fourth" and best of Sergio Leone's Dollars Trilogy, 'Once Upon A Time In The West' is a sprawling, operatic masterpiece of cinematography. The languid pacing only accentuates the meticulously presented scenes and the Ennio Morricone score is powerful, poignant and haunting. Each major character has his own musical theme. Henry Fonda's character has a menacing and jarring score which chills and thrills me every time I hear it (I bought the soundtrack too!). Fonda as Frank is the "coldest villain in screen history" as I have read in other reviews and was cast against type in this film. When the camera pans up into his passionless blue eyes early in the movie, one sees what a brilliant piece of casting it was to have him as the villain. This movie is a metaphor on the death of The Old West and the final word on how a (spaghetti) Western should be. Not to be missed!
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