Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
Running from the law after a bank robbery in Mexico, Dad Longworth finds an opportunity to take the stolen gold and leave his partner Rio to be captured. Years later, Rio escapes from the ... See full summary »
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by who? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Get-rich-quick subplots and intricate character histories intertwine with such artistic flair that this could in fact be the movie-to-end-all-movies. Written by
Henry Fonda prepared for his role as the villain "Frank" by arriving in Italy with a pair of brown colored contact lenses and a grown mustache. When Sergio Leone saw them, he ordered them removed. Leone had planned an important close-up shot of Frank's entrance and wanted the audience to instantly recognize Fonda with those blue eyes. See more »
As Frank and his gang ride away from the train, tire tracks are visible in the dirt. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
The "fourth" and best of Sergio Leone's Dollars Trilogy, 'Once Upon A Time In The West' is a sprawling, operatic masterpiece of cinematography. The languid pacing only accentuates the meticulously presented scenes and the Ennio Morricone score is powerful, poignant and haunting. Each major character has his own musical theme. Henry Fonda's character has a menacing and jarring score which chills and thrills me every time I hear it (I bought the soundtrack too!). Fonda as Frank is the "coldest villain in screen history" as I have read in other reviews and was cast against type in this film. When the camera pans up into his passionless blue eyes early in the movie, one sees what a brilliant piece of casting it was to have him as the villain. This movie is a metaphor on the death of The Old West and the final word on how a (spaghetti) Western should be. Not to be missed!
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