Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by whom? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Written by
The original intent for the opening scene was to use music already composed by composer Ennio Morricone. However, the attempted blend didn't seem to fit well. The decision was made to drop Morricone's score from the opening train station sequence and record the ambient sounds relating to the scenes (including the squeaking windmill and individual footsteps) after Morricone experienced a musical performance created by using only the sounds of a metal ladder. This created an exaggerated version of what had come to be known as "spaghetti sound". See more »
During The Man's flashback which explains how he came to possess the harmonica, the harmonica changes from undamaged to damaged and back. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Sergio Leone's director credit swings down in an arc as if to stop the train. See more »
There are few movies that can combine great directing, acting ,music, cinematography, and writing into one movie, but this one does. There are no weak points. Every scene is a piece of art. I know of no other film that affects the senses as this one. Henry Fonda said this was his favorite film and role. It's easy to see why. He created 1 of the great "bad guy" roles in history. In a side note, Leone wanted to put brown contacts in Fonda's eyes,("who ever saw a villain with blue eyes", Leone said), but Fonda wouldn't have it, and the effect is magic in the famous Leone close-ups. Bronson, Cardinale, and Robards are equally powerful, all have great lines and the camera loves them. Speaking of cameras, the visuals are stunning. There is nothing fancy about this movie. Raw power is what you see and feel. Simply the best western if not film ever made.
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