Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unaware... See full summary »
Gian Maria Volonté,
After Custer and the 7th Cavalry are wiped out by Indians, everyone expects the worst. Capt. Nathan Brittles is ordered out on patrol but he's also required to take along Abby Allshard, ... See full summary »
Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by who? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Get-rich-quick subplots and intricate character histories intertwine with such artistic flair that this could in fact be the movie-to-end-all-movies. Written by
Spanish railways have a broader gauge (1,674 mm) than the American railways, which are mostly built in standard gauge (1,435 mm). In some scenes of the film it can be clearly seen, that the "Morton Railroad" has been erected in the broad Spanish gauge. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Sergio Leone's director credit swings down in an arc as if to stop the train. See more »
The "fourth" and best of Sergio Leone's Dollars Trilogy, 'Once Upon A Time In The West' is a sprawling, operatic masterpiece of cinematography. The languid pacing only accentuates the meticulously presented scenes and the Ennio Morricone score is powerful, poignant and haunting. Each major character has his own musical theme. Henry Fonda's character has a menacing and jarring score which chills and thrills me every time I hear it (I bought the soundtrack too!). Fonda as Frank is the "coldest villain in screen history" as I have read in other reviews and was cast against type in this film. When the camera pans up into his passionless blue eyes early in the movie, one sees what a brilliant piece of casting it was to have him as the villain. This movie is a metaphor on the death of The Old West and the final word on how a (spaghetti) Western should be. Not to be missed!
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