Amiable, unassertive Scott Mary picks up the trash, cleans the toilets, sweeps the floors in the town of Clifton. Then a gunfighter comes to town. He offers advice and guidance to Scott who... See full summary »
Lee Van Cleef,
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of ... See full summary »
Lee Van Cleef,
El Chuncho's bandits rob arms from a train, intending to sell the weapons to Elias' revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unaware... See full summary »
Gian Maria Volonté,
Story of a young woman, Mrs. McBain, who moves from New Orleans to frontier Utah, on the very edge of the American West. She arrives to find her new husband and family slaughtered, but by who? The prime suspect, coffee-lover Cheyenne, befriends her and offers to go after the real killer, assassin gang leader Frank, in her honor. He is accompanied by Harmonica on his quest to get even. Get-rich-quick subplots and intricate character histories intertwine with such artistic flair that this could in fact be the movie-to-end-all-movies. Written by
The main selling point to producers for the use of the Techniscope process was the savings in camera negative. But, another advantage was being able derive the 2.35:1 aspect ratio while shooting with spherical lenses which avoided the distortion created by anamorphics during certain camera moves and extreme close-ups (such as those used by Sergio Leone). This film, together with The Good, the Bad and the Ugly (1966)(also directed by Leone and shot by Tonino Delli Colli) are now considered masterpieces in the use of the Techniscope system. See more »
The shadows change direction between cuts throughout the gunfight scene between Frank and Harmonica. See more »
Hey - hey hey hey hey, if you want any tickets, you'll have to go around to, eh, to, eh, the front of the, eh... oooh, well, I s'pose it'll be all right.
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Lionel Stander receives on screen credit in the original U.S. theatre release prints even though his part was completely cut out of this shortened version. See more »
This is one true masterpiece, I can't remember any other movie (and I have seen a lot of movies) that is so powerful like this one. This movie has everything great ambient, scenes larger then life, hypnotic Morricone music and what is most important great acting. In this move Sergio Leone proved that he is one of the most unique directors in movie history. If you saw this movie you know that almost every scene is great piece of art in almost every scene you are amazed by visual style of Leone. In all other great movies (like: Godfather, Casablanca, Citizen Cane, Notorious,Big Sleep, The Third Man, etc.), you won't find these many great scenes like in this one. This is an ultimate Western and i want to say: Thank you Sergio Leone for your great vision and this masterpiece, after this one there is no need for any other western, in compare to this one John Fords westerns are movies for kids and women.
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