| Photos (See all 46 | slideshow) | Videos (see all 4) |
| Paul Newman | ... | Butch Cassidy | |
| Robert Redford | ... | The Sundance Kid | |
| Katharine Ross | ... | Etta Place | |
| Strother Martin | ... | Percy Garris | |
| Henry Jones | ... | Bike Salesman | |
| Jeff Corey | ... | Sheriff Bledsoe | |
| George Furth | ... | Woodcock | |
| Cloris Leachman | ... | Agnes | |
| Ted Cassidy | ... | Harvey Logan | |
| Kenneth Mars | ... | Marshal | |
| Donnelly Rhodes | ... | Macon | |
| Jody Gilbert | ... | Large Woman | |
| Timothy Scott | ... | News Carver | |
| Don Keefer | ... | Fireman | |
| Charles Dierkop | ... | Flat Nose Curry | |
| Pancho Córdova | ... | Bank Manager (as Francisco Cordova) | |
| Nelson Olmsted | ... | Photographer (as Nelson Olmstead) | |
| Paul Bryar | ... | Card Player #1 | |
| Sam Elliott | ... | Card Player #2 | |
| Charles Akins | ... | Bank Teller | |
| Eric Sinclair | ... | Tiffany's Salesman | |
| rest of cast listed alphabetically: | |||
| Douglas Bank | ... | Citizen (uncredited) | |
| Larry Barton | ... | Citizen (uncredited) | |
| Rico Cattani | ... | Bank Guard (uncredited) | |
| José Chávez | ... | Bolivian Police Commander (uncredited) | |
| Dave Dunlop | ... | Gunman (uncredited) | |
| Jill Hall | ... | Minor Role (uncredited) | |
| Percy Helton | ... | Sweetface (uncredited) | |
| Buck Holland | ... | Posse Member (uncredited) | |
| Jack Isbell | ... | Posseman (uncredited) | |
| Enrique Lucero | ... | Guard in the 1st Bolivian Bank (uncredited) | |
| Lyn Massey | ... | Minor Role (uncredited) | |
| Thurl Ravenscroft | ... | (singing voice) (uncredited) | |
| Jorge Russek | ... | Bolivian Army Officer (uncredited) | |
| José Torvay | ... | Bolivian Bandit (uncredited) | |
Directed by | |||
| George Roy Hill | |||
Writing credits | ||
| William Goldman | (written by) | |
Produced by | |||
| John Foreman | .... | producer | |
| Paul Monash | .... | executive producer | |
| Paul Newman | .... | co-executive producer (uncredited) | |
Original Music by | |||
| Burt Bacharach | |||
Cinematography by | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Film Editing by | |||
| John C. Howard | |||
| Richard C. Meyer | |||
Art Direction by | |||
| Philip M. Jefferies | (as Philip Jefferies) | ||
| Jack Martin Smith | |||
Set Decoration by | |||
| Chester L. Bayhi | |||
| Walter M. Scott | |||
Costume Design by | |||
| Edith Head | (uncredited) | ||
Makeup Department | |||
| Edith Lindon | .... | hairstylist | |
| Daniel C. Striepeke | .... | makeup artist (as Dan Striepeke) | |
| Dick Dawson | .... | hair stylist (uncredited) | |
| Laura Lee Grubich | .... | hair stylist (uncredited) | |
| Leo Lotito Jr. | .... | makeup artist (uncredited) | |
| Jay Sebring | .... | hair designer: Paul Newman (uncredited) | |
Production Management | |||
| Lloyd Anderson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Steven Bernhardt | .... | assistant director | |
| Michael D. Moore | .... | second unit director (as Michael Moore) | |
| Randall Henderson | .... | assistant director (uncredited) | |
Art Department | |||
| Fred Chapman | .... | props (uncredited) | |
Sound Department | |||
| David Dockendorf | .... | sound (as David E. Dockendorf) | |
| Bill Edmondson | .... | sound (as William E. Edmondson) | |
Visual Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Art Cruickshank | .... | special photographic effects | |
Stunts | |||
| M. James Arnett | .... | stunt double: Paul Newman (uncredited) | |
| M. James Arnett | .... | stunts (uncredited) | |
| Eldon Burke | .... | stunts (uncredited) | |
| Joe Canutt | .... | stunts (uncredited) | |
| Steven Chambers | .... | stunt double (uncredited) | |
| Matt Connors | .... | stunts (uncredited) | |
| Bill Couch | .... | stunts (uncredited) | |
| Howard Curtis | .... | stunt double: Paul Newman (uncredited) | |
| Howard Curtis | .... | stunts (uncredited) | |
| Richard Farnsworth | .... | stunts (uncredited) | |
| Jim Feazell | .... | stunts (uncredited) | |
| Joe Finnegan | .... | stunts (uncredited) | |
| Mickey Gilbert | .... | stunt double: Robert Redford (uncredited) | |
| Mickey Gilbert | .... | stunts (uncredited) | |
| Conrad L. Hall | .... | bicycle crash stunt (uncredited) | |
| Fred Lerner | .... | stunts (uncredited) | |
| Ben Miller | .... | stunts (uncredited) | |
| William Neal | .... | stunts (uncredited) | |
| Danny Sands | .... | stunts (uncredited) | |
| Dean Smith | .... | stunt double (uncredited) | |
| Norm Stephens | .... | stunts (uncredited) | |
| Fred Zendar | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Lawrence Schiller | .... | special still photographer | |
| Harold E. Wellman | .... | photographer: second unit | |
| Arthur Brooker | .... | key grip (uncredited) | |
| Earl L. Clark | .... | assistant camera (uncredited) | |
| Jordan Cronenweth | .... | camera operator (uncredited) | |
| Thomas Del Ruth | .... | assistant camera (uncredited) | |
| Dave Friedman | .... | assistant camera (uncredited) | |
| Edward Hutton | .... | assistant camera (uncredited) | |
| Harry Sundby | .... | chief electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Joe Drury | .... | costumer (uncredited) | |
| Wesley Trist | .... | costumer (uncredited) | |
| Diana Wilson | .... | key costumer (uncredited) | |
Editorial Department | |||
| Gregory Creaser | .... | digital restoration colorist (uncredited) | |
| Hugh K. Cummings | .... | assistant editor (uncredited) | |
| Mark Nakamine | .... | colorist (digital color correction) (uncredited) | |
Music Department | |||
| Burt Bacharach | .... | conductor | |
| Jack Hayes | .... | orchestrator | |
| Leo Shuken | .... | orchestrator | |
| Bob Bain | .... | musician: guitar (uncredited) | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
| Jim Martell | .... | transportation coordinator (uncredited) | |
Other crew | |||
| Robert Crawford Jr. | .... | dialogue coach | |
| John Neuhart | .... | graphic montage | |
| Ron Preissman | .... | assistant to producer | |
| Lynn A. Aber | .... | script supervisor (uncredited) | |
| Stanley Bielecki | .... | publicity and marketing (uncredited) | |
| Court Ernst | .... | auditor (uncredited) | |
| 'Chema' Hernandez | .... | head wrangler: Mexico (uncredited) | |
| Gaines Johnston | .... | auditor (uncredited) | |
| Annabelle King | .... | production assistant (uncredited) | |
| Arvo Ojala | .... | gun coach (uncredited) | |
| Lew Tate | .... | location manager (uncredited) | |
| Steve Urzykowski | .... | auditor (uncredited) | |
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One of the best and most-liked films of the 1960s, this is still a fun movie to watch today. When I saw this on DVD on a nice flat-screen set, I was amazed how good this looked. I had seen it several times before on VHS and hadn't realized how good this was photographed. I just discovered Conrad Hall was the cinematographer, which explains it. Few, if any, were better than him.
One remembers this western for several things: the two leads looking over their shoulders incredulous that their pursers seem to be always there; Paul Newman riding a bicycle to the tune of "Raindrops Keep Falling On My Head," the beautiful Katharine Ross, the chemistry of Newman and Robert Redford as a two-man team, on and on. Those three lead actors, with the repartee between them, and the likability of each, make them fun to watch as they dominate this picture.
It's just solid entertainment and another example of good film-making that doesn't need a lot of R-rated material to make it successful. Photography-wise, the western scenery was great, there were some wonderful closeup shots and I really liked the tinted old-time footage inserted in here.
So, when you combine all the elements, it's no surprise this film won so many awards and endures so well.