After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rock, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters. Written by
John Vogel <firstname.lastname@example.org>
This movie was filmed roughly the same time as Hello, Dolly! (1969), on the sound stage next door. Director George Roy Hill believed that the studio would allow him to film the New York scenes on "Dolly's" sets, since the two films' daily shooting schedules were totally different. After production started, though, the studio informed him that it wanted to keep the sets for "Dolly" a secret and so refused him permission. To work around this, Hill had Robert Redford, Paul Newman and Katharine Ross simply pose on the sets and took photos of them. He then inserted images of the three stars into a series of 300 actual period photos and spliced the two different sets (real and posed) together to form the New York montage. See more »
One of the best and most-liked films of the 1960s, this is still a fun movie to watch today. When I saw this on DVD on a nice flat-screen set, I was amazed how good this looked. I had seen it several times before on VHS and hadn't realized how good this was photographed. I just discovered Conrad Hall was the cinematographer, which explains it. Few, if any, were better than him.
One remembers this western for several things: the two leads looking over their shoulders incredulous that their pursers seem to be always there; Paul Newman riding a bicycle to the tune of "Raindrops Keep Falling On My Head," the beautiful Katharine Ross, the chemistry of Newman and Robert Redford as a two-man team, on and on. Those three lead actors, with the repartee between them, and the likability of each, make them fun to watch as they dominate this picture.
It's just solid entertainment and another example of good film-making that doesn't need a lot of R-rated material to make it successful. Photography-wise, the western scenery was great, there were some wonderful closeup shots and I really liked the tinted old-time footage inserted in here.
So, when you combine all the elements, it's no surprise this film won so many awards and endures so well.
38 of 45 people found this review helpful.
Was this review helpful to you?