Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rock, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters. Written by
John Vogel <email@example.com>
This movie was filmed roughly the same time as Hello, Dolly! (1969), on the sound stage next door. Director George Roy Hill believed that the studio would allow him to film the New York scenes on "Dolly's" sets, since the two films' daily shooting schedules were totally different. After production started, though, the studio informed him that it wanted to keep the sets for "Dolly" a secret and so refused him permission. To work around this, Hill had Robert Redford, Paul Newman and Katharine Ross simply pose on the sets and took photos of them. He then inserted images of the three stars into a series of 300 actual period photos and spliced the two different sets (real and posed) together to form the New York montage. See more »
In the opening sequence when Sundance shoots the gun belt off the card player, the film was cut to make the quick draw appear faster. You can see Butch Cassidy's image jump across the screen in the background. See more »
OK, for those of you who aren't sure whether "Butch Cassidy and The Sundance Kid" is a good, or even great movie, just do the following:
Scroll up to "memorable quotes". Go on, do it and then read what follows. I'll be right here when you get back.
Finished? Did you read those lines? THAT, my friends, that and the fact they are spoken by some great actors is what makes this film so wonderful. They are perfectly balanced between being funny, endearing and also revealing about the characters. There's genuine emotion and warmth in a lot of that.
Conrad Hall, George Roy Hill, Burt Bacharach et al all contributed marvelously but I love the cast; such quality and for some of them, in small, but memorable roles: George Furth, Ted Cassidy, Kenneth Mars, Strother Martin, Katherine Ross and the stars at the top; Newman and Redford who did perfect justice to Goldman's script.
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