After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Butch and Sundance are the two leaders of the Hole-in-the-Wall Gang. Butch is all ideas, Sundance is all action and skill. The west is becoming civilized and when Butch and Sundance rob a train once too often, a special posse begins trailing them no matter where they run. Over rock, through towns, across rivers, the group is always just behind them. When they finally escape through sheer luck, Butch has another idea, "Let's go to Bolivia". Based on the exploits of the historical characters. Written by
John Vogel <firstname.lastname@example.org>
A scene that was cut had Cassidy, the Kid, and Etta in a Bolivian cinema and seeing a screen re-enactment of their gang, depicting Butch and Sundance as ruthless killers gunned down by the law. As the two men watch incredulously, shouting at the screen that it didn't happen that way, Etta walks off to the station to catch the train that would begin her journey back to America. George Roy Hill thought that the scene was "a little heavy-handed and unnecessary". See more »
During the climactic gun battle, Sundance fires his two six-guns at least 16 times without reloading. Obviously the guns would have to be reloaded after only 12 shots. See more »
One of the best and most-liked films of the 1960s, this is still a fun movie to watch today. When I saw this on DVD on a nice flat-screen set, I was amazed how good this looked. I had seen it several times before on VHS and hadn't realized how good this was photographed. I just discovered Conrad Hall was the cinematographer, which explains it. Few, if any, were better than him.
One remembers this western for several things: the two leads looking over their shoulders incredulous that their pursers seem to be always there; Paul Newman riding a bicycle to the tune of "Raindrops Keep Falling On My Head," the beautiful Katharine Ross, the chemistry of Newman and Robert Redford as a two-man team, on and on. Those three lead actors, with the repartee between them, and the likability of each, make them fun to watch as they dominate this picture.
It's just solid entertainment and another example of good film-making that doesn't need a lot of R-rated material to make it successful. Photography-wise, the western scenery was great, there were some wonderful closeup shots and I really liked the tinted old-time footage inserted in here.
So, when you combine all the elements, it's no surprise this film won so many awards and endures so well.
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