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The Bridge at Remagen (1969)

As the Allied armies close in, the Germans decide to blow up the last Rhine bridge, trapping their own men on the wrong side. But will it happen?

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Cast

Cast overview, first billed only:
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Gen. Von Brock (as Peter Van Eyck)
Hans Christian Blech ...
Capt. Carl Schmidt
Heinz Reincke ...
Holzgang
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French Girl (as Anna Gael)
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Lt. Zimring (as Vit Olmer)
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Corp. Grebs
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Pvt. Bissell
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Corp. Jellicoe
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Storyline

In the last days of World War II, the Allied Army desperately searched for a bridgehead across the impenetrable Rhine River, in order to launch a major assault into the center of Germany. "Bridge at Remagen" tells the true story of the battle for this last bridgehead, from both the German and American perspective. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Thus ended the last great German stand in the West. See more »

Genres:

Action | Drama | War

Motion Picture Rating (MPAA)

Rated R for some war violence and brief nudity. | See all certifications »

Parents Guide:

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Details

Country:

Language:

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Release Date:

23 October 1969 (Sweden)  »

Also Known As:

El puente de Remagen  »

Filming Locations:

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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

According to the book "Bill Collins Presents The Golden Years of Hollywood" by Bill Collins, "Apart from three or four large interiors, the film was shot entirely on-location. The film's producer, David L. Wolper, obtained permission to use the Davle Bridge, twenty-four kilometers (fifteen miles) south of Prague on the Vltava River. Much of the filming, however, was carried out in the Czechoslovakian town of Most, one hundred kilometers (sixty-two miles) northwest of Prague." See more »

Goofs

Early in the movie, Lt. Phil Hartman and Cpl. Grebs try a daring run toward a farmhouse which is occupied by an enemy anti-tank troop. They start the run in a captured German vehicle, equipped with a rear mounted machine gun. The car also has a very distinctive pair of red lamps on the front. As the car speeds into battle with the German defenses, it is somehow transformed into a different vehicle, for when it arrives at the farmhouse yard we see it has lost the gun mount, gained a wiper on the passenger's side, and the red lamps have disappeared. See more »

Quotes

Major Barnes: Look, uh, Hartman, I know it's been a hard blow. It's always a shock to lose a buddy, a man you worked with and fought with. I mean, we're all human. I guess what I'm trying to say is... I realize Captain Colt was your friend. He was my friend, too.
Lt. Phil Hartman: Bullshit.
[Long pause]
Major Barnes: Would you, uh... care to rephrase that, Lieutenant?
Lt. Phil Hartman: You don't have any friends out here, Major. Neither do I. We can't afford them. Neither one of us.
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Connections

Referenced in Guns for Hire: The Making of 'The Magnificent Seven' (2000) See more »

Frequently Asked Questions

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User Reviews

 
A forgotten, gritty little gem.
21 May 2006 | by See all my reviews

'The Bridge at Remagen' has, for what ever reason, largely been lost or forgotten by today's movie-going public. I think this is a real shame because the sensibilities and attitudes that the film has toward it's own themes fit very much into the modern movie-goer's. Films like 'The Big Red One,' 'Saving Private Ryan,' 'The Thin Red Line,' and a host of other modern war films owe their dark edge to earlier films like 'The Bridge at Remagen.' 'The Bridge at Remagen' is about worn out soldiers. It is a film that doesn't like war, and stews in bitterness. George Segal's world weary eyes are matched only by Robert Vaughn's. Two men, one an American and the other a German who are trying less to kill the others forces than they are trying to just keep the men that they command. Segal has been ordered to capture the town around the bridge. He's told not to worry about the bridge because it is assumed that the Germans will have blown it up themselves by the time he gets there with his troops, or that the Allied air force will bomb it in order to trap and destroy the German 15th Army ... an army on the wrong side of the bridge. Vaughn, excellently playing the conflicted Major Kruger, is ordered to blow up the bridge. The 70,000 troops of the 15th Army and countless civilians are to be sacrificed at the greater expense of protecting Berlin. The General who gives Major Kruger the order to blow up the bridge suggests that holding the bridge for as long as possible so that fleeing troops and civilians can escape might not be a bad idea. This ultimately leads to tragedy for both sides.

The film is highlighted by worn out lower level officers who must command on the front lines, and the incompetent or uncaring officers who outrank them. These lower ranking officers and their men are merely pawns to be pushed beyond the breaking point and destroyed. The lower level officers see letters of condolence that they need to write for the families of the fallen men serving under them. The higher ranking officers see flags on maps. 'The Bridge at Remagen' is deeply cynical and highly embittered. Although it is in my mind superior in every way to similarly themed films like 'Anzio,' It was overshadowed and consumed by films with bigger budgets and star power. Need one look much further than 'A Bridge Too Far'? The two leads, Segal and Vaughn are both tremendous and are playing their parts in top form. Vaughn especially turns in some of the best work of his career.

The only real flaws in 'The Bridge at Remagen' aren't too serious, but they are strong enough to detract overall. The direction does lean toward heavy-handed pedantics and this can become aggravating. Only having a soldier standing in front of the camera and yelling "WAR IS BAD! WAR IS BAD!" over and over again would it have been more 'in your face.' The movie also suffers from some pacing issues, especially early on, although I think it is redeemed by the hard and gritty ending.

'The Bridge at Remagen' -- very much worth taking a look at if you can find it, and almost certainly belongs (with pride) on the DVD shelf of any serious WW2 film fan.


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