Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, ... See full summary »
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Documentary film-maker Bob Saunders and his wife Carol attend a group therapy session that serves as the backdrop for the opening scenes of the film. Returning to their Los Angeles home, the newly "enlightened" couple chastise their closest friends, Ted and Alice, for not coming to grips with their true feelings. Bob insists that everyone "feel" rather than intellectualize their emotions, and Carol pronounces "that's beautiful" after anyone says anything even remotely personal. Ted and Alice humor their friends, but it is obvious that there is a good-natured sexual tension at work within the foursome. Written by
In Alice's scene with the psychiatrist, the large ashtray on the couch moves from her right to her left and back again. See more »
When we come right up to the sex, you become embarrassed.
What am I... What would you like... What am I supposed to think?
I have no wants. Say what you think you'd like to say.
Do you think I need this? Do you really think you can help me?
I think it'd be useful to talk some more. I don't know for sure if I can help you or not. Do you think you can help yourself?
Ted is a very nervous man! Now sex is very important to a man! You know that!
Well, it seems that our time is up for today.
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What a delightful movie! I don't think its aged one bit. Sure the clothes are different, the latest self-help fads are different, the priorities are different--but SO much still resonates today. The relationship between love and sex and spouses and friends. Human desire, and commitment are timeless topics, and they are explored with great wit and panache in this thoroughly entertaining movie. And the dialogue! Many scenes purely consist of the twists and turns of intelligent people in verbal games--some of the scenes feel like being in a verbal
amusement park, going up and down roller-coasters of clever and surprising
dialogue. The funny moments are priceless: the tennis instructor asking for a glass of Pernod, Dyan Cannon in the therepist's office--probably the funniest and most perceptive take on the "therepy experience" ever shown on film-- (along with Kirstie Alley's therapist melt-down scene in Woody Allen's
"Deconstructing Harry"), the opening group therapy session in the beautiful
California countryside, that first dinner in the restaurant with Bob and Carol and Ted and Alice all declaring their love for each other in front of the table of bemused gay diners--it is a film filled with endless, perceptive and highly
amusing details. Its a terrific entertainment. (One last comment--Dyan Cannon lights up the screen everytime she appears, with her sexy persona, her high
spirits, her warmth and generosity, and that truly infectious laugh!)
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