4.7/10
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The Best House in London (1969)

X | | Comedy | June 1969 (UK)
In Victorian London, the British Government attempts a solution to the problem of prostitution by establishing the world's most fabulous brothel.

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Cast

Cast overview, first billed only:
...
Benjamin Oakes / Walter Leybourne
...
Josephine Pacefoot
...
Sir Francis Leybourne
Dany Robin ...
Babette
...
Count Pandolfo
John Bird ...
Home Secretary
William Rushton ...
Sylvester Wall
Bill Fraser ...
Inspector MacPherson
Maurice Denham ...
Editor of 'The Times'
Wolfe Morris ...
Chinese Trade Attache
Martita Hunt ...
Headmistress
Arnold Diamond ...
Hugh Burden ...
George Reynolds ...
Jan Holden ...
Lady Dilke
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Storyline

In Victorian London, the British Government attempts a solution to the problem of prostitution by establishing the world's most fabulous brothel.

Plot Summary | Add Synopsis

Taglines:

From top to bottom ... it's the best place in town !

Genres:

Comedy

Certificate:

X | See all certifications »
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Details

Country:

Language:

Release Date:

June 1969 (UK)  »

Also Known As:

A legjobb ház Londonban  »

Filming Locations:

 »

Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This was originally planned as a star vehicle for producer Carlo Ponti's wife, Sophia Loren, as " Best House in Milan" with either Marcello Mastroianni or Vittorio Gassman as her co- stars. See more »

Connections

Referenced in Sweet Trash (1970) See more »

Soundtracks

THE BIRDS OF LONDON TOWN
by Ronnie Cass and Peter Myers
See more »

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User Reviews

Uncomfortably funny
23 April 2008 | by (gateshead,tyne and wear, england, uk) – See all my reviews

From today's perspective, The Best House In London is potentially uncomfortable viewing in an era of political correctness. Therefore what this film illustrates is that for all its good intentions political correctness hampers debate on sensitive issues such as that of prostitution which in current English law can only be a label applied to a woman who is perceived by a police officer as soliciting for such an activity.

More to the point the film illustrates the double standards of English society and its discomfort with the street variety as opposed to prostitution in general. What this further illustrates is that society is concerned more with being exposed to its double standards and how it perceives street prostitution without regard to the women involved who as the film portrays, are happy to participate in the profession. This point is illustrated in the film within context of the lack of opportunities for women to escape their impoverished lives in which there is no other options open to them.

The 'double standards' of the discomfort over street prostitution among the Victorian middle classes is illustrated via the character Josephine Pacefoot, (Joanna Pettet) who is in fact a satire of the famous Josephine Butler. Josephine Butler (1828 - 1906) was an upper middle class 19th Century philanthropic feminist who espoused the radical liberal tradition of the then Whigs as her Father did before her. Josephine Butler concerned herself with those deemed to be and as such labelled 'fallen women' giving street prostitutes a negative label by default. Butler was keen to rescue the so called 'fallen women' many of whom were criminalised via the Contagious Disease Acts of the 1860s. These acts permitted any unmarried woman to be subject to a 'virginity test'. If the woman failed the virginity test she was ostracised by society and prevented from gaining legitimate employment. This left many unmarried women vulnerable to men any of whom could request they have a virginity test for the purpose of recruiting them into prostitution if they failed and thereby trading these women. This point is illustrated in the film.

It is interesting that the 19th Century Contagious Disease Act affected women at the time of the rise of feminism in England. What The Best House In London illustrates is that feminism has a double edged sword. This double edged sword of feminism means the cause is a middle class one premised on liberation, the endeavours of which leave many poor and working class women vulnerable to exploitation, which in this film is illustrated via street prostitution. But it veers into all manner of legitimate employment as women are in most cases cheaper to employ as they're more likely of accepting lower wages that men reject.

The Best House In London is a series of sketches thread together via the issue of 'street prostitution' It seems that the original intention of the film was to reference as many as possible of the Victorian luminaries who shaped modernity and its attitudes.

For the issues it raises and the debate it permits, then The Best House In London is an interesting film produced in the style of Monty Python. In other words it's silly. It therefore illustrates that 'silly' is a positive as it exaggerates issues to express the point and as such is a clever method of comedic genre and satirical expressionism to coin a phrase.


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