6.4/10
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30 user 31 critic

The Bed Sitting Room (1969)

Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, ... See full summary »

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(screenplay), (adaptation) | 2 more credits »
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2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Harry Secombe ...
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Jimmy Edwards ...
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Mona Washbourne ...
Richard Warwick ...
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Dandy Nichols ...
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Storyline

Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, muddy plains, and heaps of dentures and old boots. Patriotically singing "God Save Mrs. Ethel Shroake, Long Live Mrs. Ethel Shroake", they wander through this surrealistic landscape, forever being warned by the police to "keep moving", and prone to the occasional mutation into a parrot, cupboard, or even, yes, a bed sitting room with "No Wogs" scrawled in the grime on its windows. In particular, this story revolves around the odd "love story" of a girl who lives with her parents in one compartment of a London Underground train, the commuter in the next compartment, and the doctor they meet after returning above ground in search of a nurse for the heavily pregnant girl. Written by Sonya Roberts <sonya_roberts@geocities.com>

Plot Summary | Add Synopsis

Taglines:

"The Great Nuclear Misunderstanding Lasted 2 Minutes And 28 Seconds (including the peace treaty)" See more »

Genres:

Comedy | Sci-Fi

Certificate:

R | See all certifications »
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Details

Country:

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Release Date:

2 January 1970 (West Germany)  »

Also Known As:

A szoba-konyha  »

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

The revised National Anthem lyrics are.... 'God save Mrs Ethel Shroake, Long live Mrs Ethel Shroake, God save Mrs Ethel Shroake of 393A High Street, Leytonstone' See more »

Quotes

Mother: Get your hands out of my drawers!
See more »

Crazy Credits

In the opening credits, cast members are listed in order of height. See more »

Connections

Featured in Guide to the Flipside of British Cinema (2010) See more »

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User Reviews

 
Lester, lookin' good
2 December 1999 | by (los angeles) – See all my reviews

Pilloried in the decade that was His Time, Richard Lester had radishes thrown at him for being "modish," gimmicky, aggressively hip. (The great Manny Farber was uncharacteristically cruel, cruel.) He may seem in some lights like the Austin Powers of auteurs, but time has been kind both to his formal gifts (as magnificent as Nicolas Roeg's--or David Fincher's) and to the complicated, unsentimental, but hard-beating heart at the center of his movies. At least one Lester work, 1968's PETULIA, ranks among the greatest movies ever made. This little-seen classic, a sort of British-seaside ENDGAME, gets my vote as the most thrillingly beautiful end-of-the-world movie ever.

Coauthored by the "Goon Show" genius Spike Milligan, this post-apocalypse omnibus of sketches suggests John Osborne's Archie Rice rewriting an absurdist play by Gombrowicz. Tweedy lord Ralph Richardson post-atomically mutates into a bed sitting room while sixtyish, uncombed Michael Hordern uses the state of general unrest to get into bed with Rita Tushingham. (Her pregnancy arouses Hordern--until she gives birth, after seventeen months, to what is either a bird or a large pile of felt.) And above it all, Peter Cook flies on a hot-air balloon as a sexy cockney sadist--the post-nuclear Prime Minister to be, the first-draft choice of the Clockwork Orange Party.

A plot summary does no justice to Lester's and the DP David Watkin's images, which challenge the Vesuvian frescos of FELLINI SATYRICON for sheer overwhelmage. And the work of Lester's longtime composer Kenneth Thorne, with its English merriment never once acknowledging its own irony, ranks with the tip-top achievements of Rota or Morricone. This is a beautiful, haunting, great, sadly completely forgotten movie. Film hipsters have had their day lapping up Lucio Fulci and Jess Franco. Bring back a guy who once had a real job! Up with Lester!


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