6.4/10
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30 user 30 critic

The Bed Sitting Room (1969)

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3:16 | Trailer
Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, ... See full summary »

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(screenplay), (adaptation) | 2 more credits »
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2 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Richard Warwick ...
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Mona Washbourne ...
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Dandy Nichols ...
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Harry Secombe ...
Jimmy Edwards ...
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Storyline

Set in post-nuclear-holocaust England, where a handful of bizarre characters struggle on with their lives in the ruins, amongst endless heaps of ash, piles of broken crockery and brick, muddy plains, and heaps of dentures and old boots. Patriotically singing "God Save Mrs. Ethel Shroake, Long Live Mrs. Ethel Shroake", they wander through this surrealistic landscape, forever being warned by the police to "keep moving", and prone to the occasional mutation into a parrot, cupboard, or even, yes, a bed sitting room with "No Wogs" scrawled in the grime on its windows. In particular, this story revolves around the odd "love story" of a girl who lives with her parents in one compartment of a London Underground train, the commuter in the next compartment, and the doctor they meet after returning above ground in search of a nurse for the heavily pregnant girl. Written by Sonya Roberts <sonya_roberts@geocities.com>

Plot Summary | Add Synopsis

Taglines:

WE'VE GOT A BOMB ON OUR HANDS ( *BOMB - a motion picture so brilliantly funny it goes over most people's heads.) See more »

Genres:

Comedy | Sci-Fi

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

2 January 1970 (West Germany)  »

Also Known As:

A szoba-konyha  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(RCA Sound Recording)

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Richard Lester is said to have been depressed that many of the outdoor locations were found so quickly, and needed so little modification. See more »

Quotes

The BBC: I am the BBC as you can see, and here was the last news.
See more »

Crazy Credits

In the opening credits, cast members are listed in order of height. See more »

Connections

Featured in Guide to the Flipside of British Cinema (2010) See more »

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User Reviews

Plot, visuals, script all equally disrupted by nuclear war- but an oddly touching black comedy!
23 September 2001 | by (London, England) – See all my reviews

Buried in the sheer oddity and downright perversity of the humour there is a deep pathos. People of all classes from Lord to lunatic try through activities and language to cling to a civilization represented by heaps of objects. The horrors of holocaust are tempered by humour arising mainly from the ridiculous pretensions of the cast. Every mainstay of British middle and upper class culture has been made absurd - some of the characters are busy mutating into absurd objects - a bed sitting room, a wardrobe, a parrot. The humour is zany, the one-liners often mixing double entendre, understatement and naievity with real pathos. Arthur Lowe as the pompous father, Mona Washbourne as the all-sympathetic mother can bring a lump to the throat.

The nearest rival to Milligan's and Antrobus' satire is to be found in Swift. Lampooning society after it has endured the very worst of tragedies and demonstrating through a torrent of absurdities, that human decency survives is something difficult to sustain in text, but this Fellini-like panorama could never be contained by the pages of a book. It almost defines one of the things which film can do best.

It is ragged and patchy - but a film which includes Harry Seacombe as a 'regional seat of government' defies conventional criticism!


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