This is a reinterpretation by Ted V. Mikels about his original creation of the "Astro-Zombies". This time around, it's evil aliens who are operating on people. These strange space creatures... See full summary »
Deep in the jungles a mad scientist is using the natives' voodoo for his experiments to create an indestructible being to serve his will. When a party of gold seekers stumbles upon his ... See full summary »
After being fired from the Space Agency, the disgruntled (not to mention crazy) Dr. DeMarco creates an Astroman from a criminal's dead body. However, he loses control of his creation, which goes on a killing spree, attracting the attention of an international spy ring and the CIA. Written by
Jeremy Lunt <email@example.com>
When Tyros and Juan pull into the parking space, they completely miss their mark and straddle the line. After a quick cut to a cop watching them, we cut back to the car and it is pulled perfectly into the space. See more »
Your own experiments will have to wait. Dr De Marco to Assistant who is menacing the girl strapped to the table.
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I will admit the pace of this movie is leaden at times, making it tough sledding. But I do believe this film could be edited down into an AMAZING B-movie horror/cheese fest lasting 55-60 minutes.
Personally,what I love about the film is its everything-but-the-kitchen-sink script. We are treated to the greatest hits of exploitation movie-making, all in one film, including: mad scientist, mute hunchback lab assistant, rampaging monsters, zombies, aliens, slashers that kill big-breasted women, brain transplantation, spaceships, spies, the CIA, naked go-go dancers and evil dragon ladies.
Let's not forget my favorite bit: a doppleganger for a shirtless Ed "Big Daddy" Roth wailing away on the bongos, miming (badly) to a pre-recorded music track (no other musicians are seen!), while a body-painted topless go-go dancer wriggles away.
About the only elements that Ted Mikels missed were vampires, bikers, and giant insects! Who can resist the lovely Tura Satana with her evil makeup and low-cut evening gowns? Plus some nice color footage of L.A. in the Sixties. And of course the brilliantly stupid credit sequence with the tiny toy robots!
I urge fans of hardcore weirdness/Cheese to check this out. For less casual fans, you might want to wait until you have committed the complete works of Ed Wood to memory. Only then will you be in the proper frame of mind to truly appreciate this cinema (non) landmark.
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