Mordecai Jones (George C. Scott) is a rural con artist (a 'flim flam man') who takes on a young army deserter Curley (Michael Sarrazin) as his protégé and teaches him the tricks of the ... See full summary »
Biography of the famed motorcycle daredevil, much of which was filmed in his home town of Butte, Montana. The film depicts Knievel reflecting on major events in his life just before a big ... See full summary »
A convicted strangler, studying the paranormal in his jail cell, learns to make himself invisible. As an invisible man, he escapes from prison to stalk and strangle the five women who ... See full summary »
A beautiful young woman marries a blind old man for his money. She carries on an affair with her husband's valet, but soon finds herself in the middle of a murder-for-money plot involving the household servants.
Marshall Anderson, the manager of one of New York City's first department stores, is considerable more adept at running a business in turn-of-the-century America than he is at managing his wife and eight children.
Legendary director John Ford's final film involving seven dedicated missionary women in China circa 1935 trying to protect themselves from the advances of a Mongolian barbaric warlord and his cut-throat gang of warriors.
It's hard, if not impossible, to remake a classic.
It's hard, if not impossible, to remake a classic. Since its theatrical release in 1944 only one attempt has been made to remake Frank Capra's "Arsenic and Old Lace and the fact that it came in the form of a "made for TV" movie made it seem, at first glance, even greater sacrilege. The production is, nonetheless, first class. Bob Crane (Hogan's Heroes) just shines as the befuddled newlywed Mortimer Brewster, suddenly confronted with the fact that his gene pool was more like a fetid DNA swamp of psychotic chromosomes. Careful updating of the original play only served to make it perhaps more appealing to contemporary audiences without detracting from the perfection of its predecessor. Casting was beyond reproach. Who could possibly protest Lillian Gish and Helen Hayes as the sweet, dotty albeit homicidal aunts or Fred Gwynne as the ominous brother Jonathan. This version is seldom if ever shown but if you ever get a chance to see it, do. It is an updated interpretation of the original and every bit as good.
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