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The Arrangement (1969)
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Overview
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Director:
Writers:
Release Date:
18 November 1969 (USA)
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Tagline:
The girl knew about the wife. The wife knew about the girl. It was all part of the arrangement.
Plot:
Eddie is a very rich man who has everything he wants; money, family, success. But a car crash is all...
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Awards:
1 win
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2 nominations
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User Comments:
A Film Whose Time Has Come.
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Cast
(Cast overview, first billed only)| Kirk Douglas | ... | Eddie Anderson | |
| Faye Dunaway | ... | Gwen | |
| Deborah Kerr | ... | Florence Anderson | |
| Richard Boone | ... | Sam | |
| Hume Cronyn | ... | Arthur | |
| Michael Higgins | ... | Michael | |
| Carol Eve Rossen | ... | Gloria (as Carol Rossen) | |
| William Hansen | ... | Dr. Weeks | |
| Harold Gould | ... | Dr. Leibman | |
| Michael Murphy | ... | Father Draddy | |
| John Randolph Jones | ... | Charles | |
| Anne Hegira | ... | Thomna | |
| Charles Drake | ... | Finnegan | |
| E.J. André | ... | Uncle Joe | |
| Philip Bourneuf | ... | Judge Morris |
Additional Details
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Runtime:
125 min
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Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
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Fun Stuff
Trivia:
The character of Gwen in Kazan's 1967 best-seller is based on his second wife, Barbara Loden. Ironically, Faye Dunaway - who played Gwen in the movie - had been Loden's understudy in the 1964 Broadway production of After the Fall (1974) (TV), in which Loden played the role of Maggie. The character of Maggie was based on Marilyn Monroe, the second wife of the play's author, Arthur Miller. The 1964 production by the Lincoln Center Repetory Company was directed by Kazan, who was the co-manager of the acting troupe. Loden won the 1964 Tony Award for Best Featured Actress in a Play. Dunaway played the part of Maggie in the 1974 TV movie. According to Mark Harris in his 2008 book "Pictures at a Revolution: Five Movies and the Birth of the New Hollywood" (one of which was Bonnie and Clyde (1967), which made Dunaway a star), Dunaway as a tyro actress who was part of Kazan's Lincoln Center repertory company, carefully studied Loden's performance.
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Quotes:
Gwen:
OK, yes, I know, I'm nothing, I never was, but you! You could have been...
Eddie Anderson: What? What?!
Gwen: ...What you could have been. ...What happened to you, Eddie? Must kill you to think what you might have been.
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Eddie Anderson: What? What?!
Gwen: ...What you could have been. ...What happened to you, Eddie? Must kill you to think what you might have been.
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FAQ
Is the movie based on a novel?more
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Discuss this movie with other users on IMDb message board for The Arrangement (1969)| Recent Posts (updated daily) | User |
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| DVD question | weschingsdieder |
| Deborah Kerr | Maxine_Faulk |
| Vote for this classic in June 2006! | classicshunter |
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Panned and patronized at the time of it's initial release, Elia Kazan's adaptation of his best selling book THE ARRANGEMENT plays much better now than it did in 1969. Made after a 6 year hiatus from film-making at a time when movies were enjoying unheard of freedom due to the demise of the production code, THE ARRANGEMENT clearly shows that Kazan was still a director to be reckoned with. The basic premise was nothing new. A highly successful businessman (Kirk Douglas) suffers a mid-life crisis and attempts suicide. How he and the other characters deal with the aftermath make up the rest of the story. Kazan has always been an actor's director and the film provides a showcase for the young Faye Dunaway as Douglas' mistress who gets him to reexamine his life but wants out to be with someone else. Deborah Kerr in her last major film appearance is superb in the difficult role of the wife who tries to understand what Douglas is going through but doesn't want to give up the rich lifestyle she's become accustomed to. Strong support is given by Hume Cronyn as the family solicitor who has plans of his own and from Richard Boone in a rare non-Western role as Douglas' ailing father. His slide into dementia is both heartbreaking and terrifying. Marlon Brando had originally agreed to play the lead but bowed out allowing Kirk Douglas who really wanted to work with Kazan to step in. While not stage trained like the other principals, he acquits himself well in an emotionally as opposed to a physically demanding role. The combination of raw emotions, alternating points-of-view including black humor, and touches of surrealism was ambitious then and still is today (think American BEAUTY). The movie is not without its flaws. It runs too long and is occasionally sloppy in everything from editing to make-up but the powerful writing and intense performances make THE ARRANGEMENT provocative film-making nearly 40 years later. Called everything from a harrowing emotional ride to a self-indulgent mess, it is ultimately for the home viewer to decide (my rating indicates where I stand). Kazan will always be a controversial figure because of his HUAC testimony in the 1950's but his greatness as a director cannot be denied and remains captured on film for all to see.