| Lino Ventura | ... | Philippe Gerbier | |
| Paul Meurisse | ... | Luc Jardie | |
| Jean-Pierre Cassel | ... | Jean François Jardie | |
| Simone Signoret | ... | Mathilde | |
| Claude Mann | ... | Claude Ullmann dit 'Le Masque' | |
| Paul Crauchet | ... | Felix Lepercq | |
| Christian Barbier | ... | Guillaume Vermersch dit 'Le Bison' | |
| Serge Reggiani | ... | The hairdresser | |
| André Dewavrin | ... | Colonel Passy | |
| Alain Dekok | ... | Legrain | |
| Alain Mottet | ... | Commander of the camp | |
| Alain Libolt | ... | Paul Dounat | |
| Jean-Marie Robain | ... | Baron de Ferte Talloire | |
| Albert Michel | ... | Gendarm | |
| Denis Sadier | ... | Gestapo's doctor | |
| Georges Sellier | ... | Colonel Jarret du Plessis | |
| Marco Perrin | ... | Octave Bonnafous | |
| Hubert de Lapparent | ... | Aubert, Pharmacien | |
| Colin Mann | ... | Dispatcher | |
| Anthony Stuart | ... | R.A.F. Major | |
| Michel Fretault | ... | Anonymous Patriot | |
| Gérard-Antoine Huart | (as Gérard Huart) | ||
| Percival Russel | |||
| Michel Dacquin | ... | Cellmate | |
| Jeanne Pérez | |||
| Pierre Vaudier | |||
| Jacques Marbeuf | ... | S.S. Interrogation Officer | |
| Franz Sauer | |||
| rest of cast listed alphabetically: | |||
| Marcel Bernier | ... | L'adjudant douanier | |
| Gaston Meunier | ... | Controleur des bagages | |
| Adrien Cayla-Legrand | ... | Général De Gaulle (uncredited) | |
| Nathalie Delon | ... | Une amie de Jean-François (uncredited) | |
Directed by | |||
| Jean-Pierre Melville | |||
Writing credits | ||
| Joseph Kessel | (novel) | |
| Jean-Pierre Melville | (adaptation) | |
Produced by | |||
| Jacques Dorfmann | .... | producer | |
Original Music by | |||
| Éric Demarsan | (as Eric De Marsan) | ||
Cinematography by | |||
| Pierre Lhomme | |||
| Walter Wottitz | |||
Film Editing by | |||
| Françoise Bonnot | |||
Production Design by | |||
| Théobald Meurisse | |||
Set Decoration by | |||
| Théobald Meurisse | |||
Costume Design by | |||
| Colette Baudot | (as Madame Colette Baudot) | ||
Makeup Department | |||
| Maud Begon | .... | makeup artist | |
Production Management | |||
| Alain Quefféléan | .... | production manager (as A. Quefféléan) | |
Second Unit Director or Assistant Director | |||
| Jean-François Adam | .... | assistant director (as J.F. Adam) | |
| Georges Pellegrin | .... | assistant director (as G. Pellegrin) | |
| Jean-Claude Ventura | .... | assistant director (as J.C. Ventura) | |
Art Department | |||
| Marc Desages | .... | second assistant set decorator | |
| Henri Sonois | .... | first assistant set decorator (as Enriqué Sonnois) | |
| Roger Volper | .... | property master | |
| René Ferracci | .... | poster designer (uncredited) | |
Sound Department | |||
| Jacques Carrère | .... | sound director | |
| Jean Nény | .... | sound director (as Jean Neni) | |
| Alex Pront | .... | sound director | |
| Victor Revelli | .... | boom operator | |
Special Effects by | |||
| Walter Wottitz | .... | special photographic effects | |
Visual Effects by | |||
| Georges Tornero | .... | restoration (restored version) | |
Music Department | |||
| Robert Pouret | .... | music editor | |
| Bob Vatel | .... | musician: piano | |
Other crew | |||
| Betty Elvira | .... | script girl | |
| Jean-Pierre Spiri-Mercanton | .... | general manager (as J.P. Spiri-Mercanton) | |
| Howard Vernon | .... | dialogue: English | |
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| The Battle of Algiers | Au Revoir Les Enfants | Munich | Defiance | Coup de grâce |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
Never before (and after) a movie on French Resistance has been so "glamourless". Jean-Pierre Melville has been hailed as the father of the French gangster film. Certainly, his gangster films are probably the films for which he is best known (Le Doulos, Deuxieme Soufflé, Le Samourai, Le cercle rouge, Bob le flambeur) on par if not better than anything which Hollywood produced. Yet the world of the anonymous gun-toting hoodlum occupies only a part of his oeuvre.
'L'armee des ombres' (aka The Shadow Army) is Jean Pierre Melville 1969 masterpiece and does not deal with gangsters. The film is a mix of the director's war time experiences in the French Resistance and Joseph Kessel successful wartime novel. What is remarkable about this film is that Melville turned a mosaic of anecdotes that Kessel's novel is all about into a great, dark epic.
From the chilling opening shot of Germans marching down the Champs-Elysées to the final scene involving the fellow Resistant Mathilde (the great Simone Signoret) the film seems to demonstrate that fighting for an ideal often leads towards death and solitude. What Melville does successfully is to show those dead-ends the way they occur to their protagonist (very simply and minimalist), however more than showing them Mr. Melville managed to make these realities (death and solitude) an equally tragic experienced for the audience...
'L'armee des ombres' is Melville's most moving film, a monument to the spirit of the Resistance rather than its actuality. A poignant drama with a strong performance from not only Lino Ventura but also Simone Signoret, Paul Meurisse, Jean Pierre Cassel, Claude Mann, Paul Crauchet to name a few.
This is probably Melville's greatest cinematographic achievement and, when fiction becomes reality, when actors leave behind their egos to resurrect into heroes, when the colors of the film mirror the one of the soul and when silence becomes music, true cinema has been achieved 'L'armee des ombres' is a terrible yet powerful experience in which the words duty, courage, abnegation get charged with meaning