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Army of Shadows (1969)

L'armée des ombres (original title)
Not Rated | | Drama, War | 12 September 1969 (France)
An account of underground resistance fighters in Nazi-occupied France.

Writers:

(novel), (adaptation)

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4 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Jean François Jardie
...
Claude Mann ...
Claude Ullmann dit 'Le Masque'
...
Felix Lepercq
Christian Barbier ...
Guillaume Vermersch dit 'Le Bison'
...
The hairdresser
André Dewavrin ...
Alain Dekok ...
Legrain
Alain Mottet ...
Commander of the camp
Alain Libolt ...
Paul Dounat
Jean-Marie Robain ...
Baron de Ferte Talloire
Albert Michel ...
Gendarm
Denis Sadier ...
Gestapo's doctor
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Storyline

France, 1942, during the occupation. Philippe Gerbier, a civil engineer, is one of the French Resistance's chiefs. Given away by a traitor, he is interned in a camp. He manages to escape, and joins his network at Marseilles, where he makes the traitor be executed... This non-spectacular movie (do not expect any Rambo or Robin Hood) shows us rigorously and austerely the everyday of the French Resistants : their solitude, their fears, their relationships, the arrests, the forwarding of orders and their carrying out... Both writer Joseph Kessel and co-writer and director Jean-Pierre Melville belonged to this "Army in the Shadows". Written by Yepok

Plot Summary | Add Synopsis

Taglines:

Betrayal. Loyalty. Collaboration. Resistance.

Genres:

Drama | War

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| |

Release Date:

12 September 1969 (France)  »

Also Known As:

Army of Shadows  »

Box Office

Opening Weekend:

$12,620 (USA) (28 April 2006)

Gross:

$741,733 (USA) (20 April 2007)
 »

Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| (2006 restoration)

Color:

(Eastmancolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

For the shot depicting German soldiers marching down the Champs Elysees, Jean-Pierre Melville thought that it would be impossible to get regular Frenchmen to provide the proper marching movements. He ended up casting dancers to correctly provide the march steps he wanted from the soldiers. This shot was originally the last in the film and prints were sent to theaters with it in that place. After the first showings, Melville decided the scene was better placed at the start of the film and it was physically spliced into the new position. This apparently resulted in several missing frames in the negative. These frames were restored from another source when the 2005 digital restoration was accomplished. See more »

Goofs

In the scene where the prisoners share cigarettes amongst each other, one of the man saves his cigarette for later and puts it behind his right ear. In the next shot of him, the cigarette isn't there, but we see him picking it from behind his ear just a few seconds later. See more »

Quotes

Claude Ullmann dit 'Le Masque': Still thinking about the others?
[who, like him, were targets in the shooting gallery]
Claude Ullmann dit 'Le Masque': .
Philippe Gerbier: No, I was thinking of the officer who was sure I'd run too. Like a scared rabbit...
See more »

Connections

Featured in Sous le nom de Melville (2008) See more »

Soundtracks

Symphony No. 41 (Jupiter)
(uncredited)
Music by Wolfgang Amadeus Mozart
See more »

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User Reviews

far from fake romanticism
7 November 1998 | by (France) – See all my reviews

This is probably one of the best fiction movies ever made on the French resistance during Worl War II. Far from the usual romantic cliches showing handsome young men playing tricks with the Nazis and falling in love with sublime women, the substance of the movie is reality. It depicts a "shadow army" made of courageous men who are ready to sacrifice their lives but are aware of the huge cost they will eventually have to pay. It shows the cruel and sometimes inhuman choices they have to make in order to survive. This is a very useful movie that gives a real hint of what resistance truly was.


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