When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
The death of King Henry VIII throws his kingdom into chaos because of succession disputes. His weak son Edward, is on his deathbed. Anxious to keep England true to the Reformation, a ... See full summary »
Helena Bonham Carter,
Henry VIII of England discards one wife Katharine of Aragon, who has failed to produce a male heir, in favor of a young and beautiful woman, Anne Boleyn, whose one-thousand-day reign as Queen of England ends with the loss of her head on the block. Henry weds Ann and soon she gives him a child. The girl, Elizabeth, is a bitter disappointment to Henry, who desperately wants an heir. Anne promises Henry a son "next time," but Henry is doubtful. Shortly thereafter, rumors begin that the King's eye has already wandered. One Jane Seymour is at court for a moment. The Queen has her sent away, but, if Anne will bring Jane back to court, the King promises to sign the Act of Succession to insure that Elizabeth will be Queen. Written by
The film was made and released about twenty-one years after its source play of the same name by Maxwell Anderson had been first performed in 1948. See more »
When Katherine is listening to music with her ladies in waiting, a tapestry from the cycle of the Lady and the Unicorn is clearly visible in several shots, as well as in a few other subsequent scenes. These were made in Florence and were eventually rediscovered in France. They were never in England. See more »
It is a memorable film, well nominated, exquisitely costumed. I like Richard Burton best of all in this one. He takes up the role of Henry VIII and gives it many subtle shades of feeling so that you almost understand what might have really transpired in such a king's turbulent soul. He was somewhere between a rock and a hard place and rushed headlong into history with his determined efforts to change the rules of kingship.
Anne Boleyn, here played by Genevieve Bujold, was caught up in these events and ultimately became a casualty of circumstances. I'm not a history buff so can't fill in the true story but it's obvious there was much political intrigue taking place. Also, it rather reminded me of "Othello" in which the ill-fated Desdemona was victimized by Iago's slander. Genevieve portrays Anne with deep conviction and her tremendous vehemence at times sweeps us along through happy moments as well as fiery clashes with family, king, and authorities.
I was enthralled by the excellent supporting actors who formed the king's entourage, and hope to know them by name one day. In particular was their exchange of witty dialogue in the captivating scene which ended in a reference to a "venison haunch." I believe one of these actors later appeared in "Mary, Queen of Scots" (1971) as I recognized the same wonderful voice, and I think it's Vernon Dobtcheff. Well, it's a bit of detective work I must do to confirm.
Anthony Quayle's portrayal of Cardinal Wolsey was right on. Oh the glories of power in high places, so many titled positions he held! Yet in the end the Cardinal could hold onto none of them in a true sense. I feel this is one role where Quayle really excelled as an actor and a very dramatic presence.
For me this film goes hand in hand with "A Man for All Seasons" and "Mary, Queen of Scots" for some great drama on screen.
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