6.4/10
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1 user 1 critic

L'amour c'est gai, l'amour c'est triste (1971)

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Cast

Cast overview, first billed only:
...
Marie
...
Arlette
...
Maxime
Claude Melki ...
Leon
Christian de Tillière
Gérard Boucaron
Vasilis Diamantopoulos
Jacques Doniol-Valcroze ...
Le 1er client
François Dyrek
Rémo Forlani
Anne Jennifer
Luc Moullet
Denise Péron
Jacques Robiolles
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Storyline

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Genres:

Comedy

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Details

Country:

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Release Date:

March 1971 (France)  »

Also Known As:

El amor es triste, el amor es alegre  »

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,  »
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Technical Specs

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Sound Mix:

Color:

(Eastmancolor)
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User Reviews

Tricks in a tailor's workroom
9 August 2014 | by See all my reviews

The populist cinema of the thirties/forties gets a Neo New Wave treatment!

The characters could come from "Hotel Du Nord": there's a sad tailor (Claude Melki),less-than -handsome ,and so shy he is not able to declare his love to a pretty girl (Chantal Goya ,before she became a pop singer for kiddies Under 7);a Hooker (Bernadette Lafont;who else?) who hides her immoral trade ,pretending she is a fortune-teller :nobody's fooled and all her clients are not interested in their future ;and her pimp ,an elegant fop à la Louis Jouvet (Jean-Pierre Marielle).Except for one sequence in a railway station,all the action takes place in the tailor's seedy apartment .

IMHO,it is not a very exciting work:Claude Melki is arguably the stand-out but Remo Forlani is not Henri Jeanson ,as far the dialog is concerned ,and his lines fall flat ;Bernadette Lafont,by far the best of the two actresses ,seems to wait for something to happen concerning her character;Marielle is not much more than a walk-on;Chantal Goya ,whose part was the most interesting, is a drippy starlet ,and she plays like she sings -she had started a career as a pop singer for teenagers while working with Godard ("Masculin-Feminin" in which her immortal " Si Tu Gagnes Au Flipper" is heard).

I almost fell asleep halfway through ,but there are interesting thespians in the supporting cast :the legendary Dalio,and Rufus ,too rare on the screens .

It is as if Forlani,towards the end of his screenplay ,suddenly appreciated how frivolous it all was and desperately attempted to get a little humor into his story:

-The client ,with whom Goya refused to "work" ,insulting the unfortunate tailor mistaken for her pimp :"you ought to be ashamed of your job!"

-Then the best lines in the whole movie: "Arlette is busy picking grapes. -Harvesting grapes? In April ? In Brittany?


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