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Amore e rabbia (1969)

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a ... See full summary »

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(story), (story) | 7 more credits »
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Cast

Cast overview:
Tom Baker ...
(segment "L'indifferenza")
...
Dying Man (segment "Agonia")
Jim Anderson ...
(segment "Agonia")
...
(segment "Agonia")
Giulio Cesare Castello ...
Priest (segment "Agonia")
Adriano Aprà ...
Clerk (segment "Agonia")
Fernaldo Di Giammatteo ...
(segment "Agonia")
Petra Vogt ...
(segment "Agonia")
...
Riccetto (segment "La sequenza del fiore di carta")
Rochelle Barbini ...
The little girl (segment "La sequenza del fiore di carta")
Aldo Puglisi ...
Dio (segment "La sequenza del fiore di carta") (voice)
Christine Guého ...
The Actress (segment "L'amore")
...
The Director (segment "L'amore")
...
Lecturer (segment "Discutiamo discutiamo")
Edit

Storyline

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while it watches another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change. Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

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Details

Country:

|

Language:

| | |

Release Date:

29 May 1969 (Italy)  »

Also Known As:

Amor e Raiva  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(Westrex Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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User Reviews

 
History isn't dated
2 December 2007 | by (Canada) – See all my reviews

Comments have complained that this portmanteau film is dated. It would be better to say it registers a crucial political, cultural, and cinematic moment. Marco Bellocchio's short film works best to my thinking. His "Discutiamo, discutiamo" (Let's Talk; We're Talking; or maybe Talk and Talk, if you're inclined to be bored) is a dramatic imitation by students of the university movements of the late 1960s, and includes real differences of opinion (it starts with a lecture on Croce's aesthetics; later there's an attempt to set a Croce paperback on fire), and opinions worth remembering once existed. "La lotta continua" (class struggle), authoritarian schooling in ruling class values, the small percentage of youths of poor families in university--sure, that's so passé.

And for Bertolucci there's Julian Beck as Artaud; for Pasolini, dialectic around the pleasure of Ninetto Davoli. Even Godard's go-gauche, lordly treating every opinion as a quotation, letting all the wind out of what might be concern--or Amore. (See better Bellocchio's "La Cina è vicina" for a fashionable leftism.) The Rabbia or righteous wrath of the title is mostly also left to viewers back then or now, and maybe it didn't get rooted.


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